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GOOD LUCK EBOLA CHAN! | Fringechan via Tor: 73ryh62wtiufgihc.onion

No. 9588
Let's begin with some general info on the subject;

"Seiðr (sometimes anglicized as seidhr, seidh, seidr, seithr or seith) is an Old Norse term for a type of sorcery which was practised in Norse society during the Late Scandinavian Iron Age. Connected with Norse religion, its origins are largely unknown, although it gradually eroded following the Christianization of Scandinavia. Accounts of seiðr later made it into sagas and other literary sources, while further evidence has been unearthed by archaeologists. Various scholars have debated the nature of seiðr, some arguing that it was shamanic in context, involving visionary journeys by its practitioners.

Seiðr practitioners were of both genders, although females are more widely attested, with such sorceresses being variously known as vǫlur, seiðkonur and vísendakona. There were also accounts of male practitioners, known as seiðmenn, but in practising magic they brought a social taboo, known as ergi, on to themselves, and were sometimes persecuted as a result. In many cases these magical practitioners would have had assistants to aid them in their rituals.

Within pre-Christian Norse mythology, seiðr was associated with both the god Oðinn, a deity who was simultaneously responsible for war, poetry and sorcery, as well as the goddess Freyja, a member of the Vanir who was believed to have taught the practice to the Æsir."
No.9589>>9596>>9604
File: 1399791506143.jpg (97.15 KB, 584x800, norse woman.jpg)
http://www.sunnyway.com/runes/seidr.html

There is a growing interest in recreating the ancient oracular or 'shamanistic' techniques that are commonly referred to by Asatruar as seithr and spae-craft. The word "seidr" is spelled with a letter from the Old Norse or Icelandic alphabet called "eth". Since "eth" has a phonetic value somewhere between "d" and "th", seithr is variously spelled in English as "seid", "seidh", "seidr", "seidhr", "seith", or "seithr". Read these webpages to learn more about it.

"In Nordic History there have been two kinds of magick practiced among the peoples of the Ancient North. One begin Galdr, the other being Seidh. Galdr develops one's will and self control of their conscience and environment, Galdr implements the usage of symbols for communication or divination; these symbols being Runes, staves, et cetera. Seidh, however, is about the loss of one's control of self, conscience, and environment; it is about the inhibited sumbersion of one's self into something outside the practicer's persona. Seidh has been called the Shamanism of the North. It was the Vanic Goddess Freya who first taught the art of Seidh to the Aes, specifically the Alfather Odhinn. Seidh is the original magickal art of the Wanes, thus Galdr is of the Ases…"

"Where does a seidrman go when he dreams?" It's a question with a lot of bad answers. The answer really depends on who you're talking to. If you talk to a person with a Psych. 101 background, he says "Into the recesses of the mind." Another versed in the New Age says "Into the Land of Dreams" ("Oh, boy," says the Seithman as he rolls his eyes.) The ever-wise skeptic will say "No place. You're hallucinatin', bud!" Yep, everybody's got an answer, and only about 2-5% have got a clue."

No.9591
This reminds me of when an Amerindian got butthurt at me on /x/ when I was talking about Shamanism, and he "corrected" me saying they're called medicine men, and I explained to him I had European shamans in mind and also that Shamanism is a general term for a collective of related traditions (they share similarities in that they all work by the same principles of magic) across the world.

http://archive.4plebs.org/x/thread/14557352/#14573495

No.9592>>9610
>that feel when I actually anticipate always the next post to be made by White Heritage guy
>that feel when these postings might be inspiring me to reconnect with the religion of my ancestors

No.9593
>>9588
Nice 88 dubs btw.

No.9596
>>9589
>Yep, everybody's got an answer, and only about 2-5% have got a clue."

Astral planes. Am I correct?

No.9597
>Diiana Paxson Interview. ."..At the beginning of Ynglingasaga, Snorri lists Odin's magical skills, in a passage which identifies them as "seidh". They include all the things commonly ascribed to shamans, although given entirely in negative terms, such as weather-working, affecting people's minds, spirit journeying, etc. In the sagas there are stories about people using seidh to cause storms at sea, get information about people or places who are distant, shape-change, etc. The best-known story that may indicate going into trance to gain knowledge is the incident in which the lawspeaker of the Althing, Thorgeir of Lightwater, wrapped up in his cloak and meditated until he came up with a compromise that led to the gradual conversion of Iceland to Christianity without civil war…". More

Man fucking Christianity what a poison.

Where is the Odinist flag?

No.9598>>9600>>9971
http://www.youtube.com/watch?v=KtMMWeaeXxc

http://www.hrafnar.org/articles/kveldulf/spaecraft/

As the Troth grows, many of us have begun to reach towards the less well-known crafts of the Northern people—the crafts that deal with the workings of the soul, of changed awareness and trance, of faring to the realms of the god/esses and wights and calling them to speak in the Middle-Garth as well. Although these crafts have never been practised by all the folk, nor understood by all, the völvur and þular of elder days played a great role in the souls and worship of the Northern tribes; it is now time to think on what part they may play again.

The practice of these techniques will not be spoken of at much length in this article because, to the unaccompanied beginner, soul-crafts are even more dangerous than more limited forms of magic such as galdr-craft. All sorts of magic can twist one’s wyrd or cause harm unmeant; but when practicing soul-craft, you are travelling out into a perilous, unknown world filled with wights who may well not be friendly. Some of the hazards of this sort of travel include getting troll-shot (also: alf-shot, witch-shot, dwarf-shot), which can cause physical symptoms ranging from mild muscle spasms to bone cancer and nervous degeneration; having a part of your soul-complex stolen (in which case an experienced shaman has to be engaged to retrieve it) or eaten; being latched on to by an unpleasant wight which follows you about causing various sorts of trouble thereafter; and, worst of all, getting permanently lost, which, after some time, will cause your uninhabited body to rot and die—something which shows up quite often in, for instance, Finnish legends (see Pentikäinen, Kalevala Mythology, pp. 187-88). The most practical advice I can give is: always set up wards before you go; put another layer of warding around yourself as soon as you are out of your body; go fully armed; and be ready to snap back to yourself at the first sign of trouble. Most of all, if you can possibly manage to do so, have a sober (non-tranced or only lightly tranced) partner who can keep an eye on your bodily and psychic state, get you back, and ground you

No.9600
>>9598
Aw shit this makes me want to show you all my trancing so much.

No.9603
Appropriate music accompanying this post; http://www.youtube.com/watch?v=EOVdrggsh2o

"For 50,000 years, Europeans were animist polytheists who believed that all of the manifested Cosmos possessed a spirit with which humans could directly interact and communicate. It has only been in the last 500 or so years that peoples of European descent have lived outside their immediate resources. This change took place when our European ancestors abandoned their ancient animist traditions. The consequences were devastating. Today our modern world was shaped primarily by people of European descent and it is this modern Western culture that has been separated from it's traditional animist ways that has created plagues, racism, slavery, global warming, nuclear weapons, air pollution, economic disaster, etc… These are not divine punishments, but merely the natural consequences of the decisions made by a people who have forgotten their ancient animist traditions. Let's return to our animist roots. Let's return to the "Old Ways" that kept our people and our traditions alive for 50,000 years."

http://www.youtube.com/watch?v=qborOZM_RFE

http://www.youtube.com/watch?v=qOd6A23J_TU

No.9604>>9605
File: 1399797540998.jpg (24.04 KB, 318x403, odinist wizard.jpg)
>>9589
In analyzing what our forebears understood by the words spá and seiðr, and what is meant by the Siberian word shaman, it is needful to be very careful with our sources: all three of these words are often misused to mean ‘any sort of native soul-craft’, even by persons who are otherwise authorities in the field of Germanic magic and religion. Further, the sagas from which we get most of our information are written long after the Heathen period, and many, especially the ones with a great deal of magic in them such as Örvar-Odds saga, Friðþjófs saga, and even Hrólfs saga kraka in some places, are more fantastic than realistic in character. While sometimes retaining elements of early tradition and using native terminology, such sagas are often hardly more reliable than taking Tolkien’s use of the name Gandalf (Magical Alf) for his wizard as an indicator of what our forebears understood gand-craft to be (one will not find Norse magicians throwing fireballs), or, for that matter, as a definition of the character of the álfar. In this article, it is my hope to clear up some of the common misconceptions about spae-craft, seiðr, and shamanism so that these crafts may be more fully and clearly studied, pursued, and woven into the workings of our lives as they were into the lives of our forebears and the folk with whom they often interacted.

Spae-craft is associated directly with the Norns in Nornagests þáttr (Flateyjarbók I, Öláfs saga Tryggvasonar). Nornagestr says that

‘fóru þá um land völur, er kallaðar váru spákonur, ok spáðu mönnum örlög, því buðu margir menn þeim heim ok gerðu þeim veizlur ok gáfu þeim góða gripi at skilnaði’

(völur, which were called spákonur, fared about the land then and prophesied the örlögs of men, wherefore many men invited them home and prepared feasts for them and gave them good treasures when they parted)

Beyond prophecy (overlapping with spae-craft), seiðr includes many other skills: here it is worth noting that, though the words spá and seiðr have both survived to this day in modern Icelandic, spá is the only one used for prophecy: the word seiðr means ‘sorcery’, the verb means ‘to enchant, bewitch, or put a spell on’. As described by Snorri in Ynglinga saga ch. VII,

Óðinn kunni þá íþrótt…er seiðr heitir, en af því mátti hann vita örlög manna ok óorðna hluti, svá ok at gera mönnum bana eða óhamingju eða vanheilendi, svá ok at taka frá man vit eða afl ok gefa öðrum

(Óðinn knew that accomplishment…which is called seiðr, and from that he could know the örlög of men and things that had not happened, and also thus cause the deaths or loss of hamingjur or loss of luck of men, and also thus take from one man wit or life-force and give it to others.
-Íslenzk fornrit XXVI, p. 19).

No.9605
File: 1399797800703.jpg (60.3 KB, 296x489, nordisk.jpg)
>>9604
http://www.youtube.com/watch?v=4hPLgnjPwWY

Thus we can see that, in spite of all the dangers and pitfalls involved, soul-crafts of various sorts—spae-craft, seiðr, occasional elements of shamanism, and deity-possession—made up a large part of the worlds our forebears knew. In bringing the troth of our ancestors back to life, we cannot ignore them. Rather, it is needful that we look as honestly and well as we can at what they were, and then that those with the bravery and skill to do so turn their hands to making them what they can be: a help to all those who follow the elder Troth.

No.9606
The Way of Wyrd brings the wisdom of a wizard from the past to inspire your life today, and to take you on a journey to discovering the nature of your own soul.

http://en.wikipedia.org/wiki/Wyrd

Wyrd is a feminine noun,[3] and its Norse cognate urðr, besides meaning "fate", is the name of one of the Norns; urðr is literally "that which has come to pass", verðandi is "what is in the process of happening" (the present participle of the verb cognate to weorþan) and skuld "debt, guilt" (from a Germanic root *skul- "to owe", also found in English shall).

‘Life-force permeates everything. It is the source of all vitality. In a person it is generated in the head, flows like a stream of light into the marrow of the spine and from there into the limbs and crevices of the body.’

‘The threads of wyrd are a dimension of ourselves that we cannot grasp with words. We spin webs of words, yet wyrd slips through like the wind. The secrets of wyrd do not lie in our word-hoards, but are locked in the soul…’

‘… each runic character represents a sound, and beginning with each sound is a word of significance …Rune images are like the shifting cloud-shapes of wyrd … the dimensions and formation of each rune can be learned by anyone, but the way in which a set of runes is interpreted in a particular context requires the knowledge of a sorcerer. They are not to be read like a simple set of sounds, for the runes have been evolved by the spirits by correlating all the dominant cycles and forces which course through Middle-Earth.’

No.9608
http://www.youtube.com/watch?v=EjqBtWGfdyw

http://wanderingwomanwondering.wordpress.com/2011/05/06/seidhr-hamrammr-and-other-wyrdness/

"As mentioned in previous posts, seidhr (pronounced “say-the”, according to Jenny Blain in Nine Worlds of Seid-Magic) is a Norse/Germanic shamanistic practice that many Heathen magickal practitioners are reclaiming. Seidhr has a mixed wrap. Some people view it as a positive practice for healing, prophesy, faring-forth, shapeshifting, weather-work, wyrd-working, and spirit communication (especially with the Ancestors and Wights, but also the Gods – of course). Others associate seidhr primarily with maleficent workings like mind tampering to cause delusions and bring on madness. If you are looking for a crash course on the who, what, when, where, and why of seidhr, the Viking Answer Lady gives an excellent treatment of this art for those who seek detailed information that is grounded firmly in the lore. Diana Paxson, Kveldulfr Gundarsson, and the folks at Vanic Paganism also wrote very strong articles on the subject. Just follow the links above directly to the articles!

I have been working seidhr for about two years now. The majority of my experiences and budding skills have been in the areas of spirit communication, faring-forth, and prophesy. I have also done some shapeshifting but I am still getting the hang of that. Frankly, the initial phases of shapeshifting can be a little disorienting and disconcerting! There is nothing quite so odd as sliding into the perceptual framework of another creature! Sight, taste, smell, sensation, all change. Not to mention, you get shorter so you are seeing the world(s) from a completely different vantage point :-). Very cool. Very useful. Very wyrd. My hope is that as I improve at shapeshifting, as I become hamrammr (shape-strong), the transition from human to animal and back again will become smoother. What is interesting to me is that something like shapeshifting is not outside the scope of seidhr as defined across ancient and modern Norse/Germanic shamanistic practice. Seidhr is everything that I mentioned above, and more."

No.9609
http://www.astraltraveller.com/runes.html

The magical powers attributed to runes were believed to be released in the etching of names, phrases, memorial inscriptions, and spells upon bone, metal, wood and stone. Grave markers were inscribed with runes that described the deeds of the dead, and warded off grave robbers. Diviners used runes in the casting of lots. Runes were carved on swords to make them more powerful in battle, and to cause more pain and death to the enemy. Magicians etched them on magical tools, sometimes sprinkling them with blood to make the magic more potent. Runes were etched as amulets on wands, jewelry, personal belongings, chalices, and other items of protection against illness, the evil eye, and sorcery, and to guarantee safety and effect healing. They were also used in weather rites and fertility, birth, and death rites. Lappish tjetajat, or wizards, shouted and sang runes. Runes were also used to seal contracts, and in the writing of poetry.

The unique order of the futhark and their traditional division into three "aetts" (a word meaning "families" or "groups") may be of some significance in decyphering the complex interrelationships between the runes. The meaning of the "aetts" pattern is still a mystery. As with most oracles of divination - Runes mean different things if held "straight up" and mean the opposite if held in the "reverse."

Runic divination, runecasting, is not fortune telling. Runecasting works deeply with the subconscious. The rune pouch with its runic symbols represents the entire universe. As one poses a question, one's entire conscious and unconscious mind is focused toward that question, so that the runelots selected are not truly random selections, but rather choices made by the subconscious. A runecaster does not see the future. He/she examines cause and effect and points out a likely outcome.

No.9610
>>9592
It's the only right thing to do in this day and age, trust me.

I was baptized and brought up as a roman catholic but left the church many years ago after a prolonged phase of atheism and spiritual alienation. It was during that time that i began to properly study the truth that are our ancient norse aryan spiritual teachings and the Eddas.

Only by accepting and embracing these back into our conciousness can we achieve salvation.

No.9612
File: 1399814326482.jpg (157.31 KB, 700x516, odinism.jpg)
Odin was a bretty cool guy eh

No.9683>>9688
So ive been looking into this, read some texts..

As a swede, why should i worship these people, two pages in on the edda and they already placed a knife in someones back. Twice.

>pay someone to install legit anti air defense shield systems

>kill him, don't pay for the work

savages.

No.9688
>>9683
I bet you're pic related

No.9690
Use the Odinist flags guys.

No.9971>>9978>>9979
>>9598
>Today our modern world was shaped primarily by people of European descent and it is this modern Western culture that has been separated from it's traditional animist ways that has created plagues, racism, slavery, global warming, nuclear weapons, air pollution, economic disaster, etc…

Confirmed anti-white pussified bullshit. Do not want.

No.9972>>9978
>Everyone of ANY race, culture or religion is welcome here. It is a scientific fact that all humans living on this Mother Earth are descended from a small group of Homo Sapiens from East Africa more than 70,000 years ago. Therefore, we are all one family. Here we learn how to celebrate our own ethnic ancestors while still being open to learn from anyone else's ancestors who choose to share their knowledge with us. Say NO to hate!

http://www.thunderwizard.com/

This is complete bullshit. What's with these antifa sources?

No.9973>>9977>>9979
Runic chant with Odin, Odhin; Pronouncing runes.

No.9977
>>9973
>her hair is shorter than mine

No.9978
>>9971
>>9972

Yeah, I have a strong distrust of any fringe or occultist anyone who pays homage to political correctness or subscribes to leftism in any form. Not only does it indicate a lukewarm zeal for Truth at best, but it betrays the sort of insipid personality that is never going to be able to manifest the Nietzschean will to power necessary to transcend banal untermenschen existence and strike out into the unknown.

No.9979
File: 1400142467485.png (326.72 KB, 345x500, arya.png)
>>9971
He's right in a way though. "Racism" as per the liberal definition would not exist if it weren't for the movement between peoples caused by Christianity and the modern world going along with it. Anti-white actual racism as per our definiton wouldn't exist in a homogenic pagan and 100% european europe either.

>>9973
I know this chick and her channel/website, she seems to be only in it for the money.

New age wiccan-type bullshit trying to scam people for astrology-tier bullshit consultations. I despise people like this capitalizing on our heritage and twisting it towards consumerism.

No.9980>>9981
File: 1400143492701.png (796.13 KB, 634x512, sami 2.png)
I would like to shift the focus of this thread to other forms of norse shamanism now, namely the animist-inspired kind of shamanism as practiced by the indigenous white aryan Sámi people of scandinavia.

(Cont.)

No.9981>>9982
>>9980
Sami shamanism is shamanism as practiced by the Sami people. Though they vary considerably from region to region within Sápmi, traditional Sámi beliefs consist of three intertwining elements: animism, shamanism and polytheism. Animism is manifested in the Sámi belief that all significant natural objects (such as animals, plants, rocks, etc.) possess a soul, and from a polytheistic perspective, traditional Sámi beliefs include a multitude of spirits.[1] Sami religion commonly emphasizes veneration of the dead and of animal spirit such as bear worship. The study of Sámi religion is also based on archaeological remains and written sources from missionary work in northern Scandinavia from the Middle Ages to as late to the early 18th century, though some of the knowledge exists as family oral tradition.

No.9982>>9983
>>9981
Accompanying music;

>Sami Yoik Of The Wind


http://www.youtube.com/watch?v=aPqKAuzo0tk

>This is a special show featuring the ethnic sami "joiku" singing and the mystical Shaman of Lapland.


http://www.youtube.com/watch?v=GhNBZ0rtPE4

The Sami people, also spelled Sámi or Saami, are the indigenous Finno-Ugric people inhabiting the Arctic area of Sápmi, which today encompasses parts of far northern Norway, Sweden, Finland, the Kola Peninsula of Russia, and the border area between south and middle Sweden and Norway. The Sámi are the only indigenous people of Scandinavia recognized and protected under the international conventions of indigenous peoples, and are hence the northernmost indigenous people of Europe.

Aside from the Bear Cult, there are other animal spirits such as the Haldi who watched over nature. Some Sami people had a thunder god called Tiermes, sometimes called Horagalles. Radien or Vearalden was a sky-ruling god. The symbol of the world tree or pillar similar in Finnish mythology that reached up to the North star was marked by a stytto.[2]

The forest-god of the Sami, Laib olmai ruled over all forest animals, which were regarded as his herds, and luck in hunting, or the reverse, depended on his good will. His favour was so important that, according to one author, they made prayers and offerings to him every morning and evening.[3]

One of the most irreconcilable elements of the Sámi’s worldview from the missionaries’ perspective was the notion “that the living and the departed were regarded as two halves of the same family.” The Sámi regarded the concept as fundamental, while the Christians absolutely discounted any possibility of the dead having anything to do with the living.[5] Since this belief was not just a religion, but a living dialog with their ancestors, their society was concomitantly impoverished.[6]

No.9983
File: 1400145116031.jpg (60.61 KB, 558x525, white sami females.jpg)
>>9982
http://www.youtube.com/watch?v=GkHoznkMb_w#t=30

Elements of Norse mythology as well as Christian ideas are found in the later practices. Viking-era Norse beliefs and practices demonstrate significant influence by the practices of their Uralic-speaking neighbors, including the Sámi and the Finns, as well.

In the Sami shamanistic form of worship drumming and traditional chanting (joiking) were of singular importance. Some of the joiks were sung on shamanistic rites;[3] this memory is conserved also in a folklore text (a shaman story).

Recently, joiks have been sung in two different styles, one of which is sung only by young people. The other joik may be identified with the “mumbling” joik, resembling chants or magic spells.

A noaidi was a mediator between the human world and saivo, the underworld, for the least of community problems. The noaidi used a Sami drum and a domestic flute called a "fadno" in ceremonies. The traditional Sami joik was used in ceremonies where a noaidi fell into a trance, left their body and transcended to "saivo", where they negotiated with gods, spirits and forefathers to improve the fate of their group. As with other circumpolar religions, the Sami religion also has a hunting ceremony as part of bear worship. Males confessed to sacrificial male gods, and females to female fertility gods. Sacrifice of animals and metal objects was also included in some religious ceremonies. White animals (white reindeer, cows, sheep, etc.) played an important role.

No.9985>>9986
File: 1400145900467.jpg (179.31 KB, 600x467, larsen_sami04_lr.jpg)
>>9984
The title gonagas (or konagas), bird man, was a shaman ranking level in Northern Scandinavia amongst noayddes, which possessed special level of spiritual knowledge and visualized themselves to have possession to transform oneself into a bird figure to "fly" over mountains. Because of this spiritual ability, Lundius states they were treated more respectfully or had a higher position than other peoples. According to the myth they could "spiritual communicate," i.e. travel to trading ports in forehand and see what peoples would come to trade. And in the witchcrafting period, the figure could not be burned on the stake because the fire would be smothered in the same way water cannot be ignited.

The word ultimately derives from a Germanic word for "king" (Compare to Finnish Kuningas and Lithuanian Kunigas, both from Proto-Germanic *Kuningaz; in archaic contex the Finnish word simply had the meaning of "leader" or "high-ranked person" instead of monarch).

No.9986>>9987
>>9985
http://www.youtube.com/watch?v=LpiFmZLICgM

"Here is a medieval account of shamnism from northern Europe that is, to the best of this blogger’s knowledge without parallel. The text is a saga: Vatnsdaela Saga, a thirteenth-century Icelandic text. The author tells of Ingimundr the Old who was born and brought up in northern Norway. One day the young Ingimundr went to a feast there and met a prophesysing Sami woman who told him that he would emigrate to Iceland and the find there a tiny statuette of the goddess Frey that he had lost. Now that would be shamanic enough for most of us, but what is incredible is Ingimundr’s next move…"

http://www.strangehistory.net/2014/01/17/medieval-shamanic-account-from-iceland/

No.9987>>9988
File: 1400146544751.jpg (28.88 KB, 350x444, sami Gákti.jpg)
>>9986
"The motif of the Sámi flag was chosen with the poem "Päiven parneh" ("Sons of the Sun") in mind. The poem was written down by the South Sámi Protestant priest Anders Fjellner (1795-1876), from a joik heavy in elements from Sámi mythology.[4] The poem describes the Sámi as "sons and daughters of the sun",[5] through the union between a female "giant" (an unidentified mythological entity) who lives in a "House of Death" far in the North, and the Sun's male offspring with whom she elopes.[4] The Sámi are also referred to as "offspring of the Sons of the Sun" in the Sámi national anthem."

The next post will deal with the runic aspect of Sámi culture.

No.9988>>9989
>>9987
http://www.thuleia.com/shamandrum.html

There are about 70 old drums in Scandinavia, which have survived from the old days. The map shows where the drums have been found. All drums are portrayed and described in Ernst Manker´s book Die Lappische Zaubertrommel I – II. Manker was a Swedish ethnographer.

There were also hundred of older drums, but they all burned in the great fire of Copenhagen in 1795. Older drums were collected from northern Norway and Finland. Today we have only 3 old drums from Finland, which have survived. Two of them are from the area of Kemi, southern Lapland and one from Utsjoki, northern Lapland.

The drums of Norway and Sweden have usually sun in the center of the drum (heliocentric drum). Finnish and other northern Lappish drums have drums with three layers. Some drums have both the sun and the layers and some drums have a world tree or world pillar (Yggdrassil/Irminsul) in the middle of the drum.

(…) Carl Linnaeus or Carl von Linné (1707 – 1778) travelled in Lapland (Sweden and Norway) for five months from 12th of May 1732. He described the “flora lapponica”, the fauna in Lapland and the life and culture of the Sami (Laplander) people. Linnaeus mentioned the presence of Finlanders in Northern Sweden, this fact makes it clear that he distinguished between the different cultures in Northern Scandinavia at that time. Like many old texts the observations made by Linnaeus supports that the cultures of the Sami people and the first Scandinavian Goths had fused. It is reasonable to suggest that this cultural and genetic merge particularly was evident in the Swedish areas because of the long lasting geographical closeness. One of the souvenirs Linnaeus brought back to Uppsala from this journey was a Sami Runic calendar that was attached to his belt when portrayed after his doctoral dispute.

http://saamiblog.blogspot.com/2009/03/runes-and-serpent-worship-among-sami.html

No.9989
>>9988
Moar music; http://www.youtube.com/watch?v=fpwobZ82-7w

http://saamiblog.blogspot.com/2009/03/runes-and-serpent-worship-among-sami.html

The three main Gods of the Sami on a segment of the ancient Sami Shaman Drum first described by Thomas von Westen: Thor (Tiermes), Frej (Storjunkaren, Veralden Olmai) and the Wind or Storm God. This drum was first described in 1720, but was much older. Some fig. from the left: A bear, Thor with two hammers, over him a Sarva reindeer, a tree, in the middle Frej [i.e. Freyr, Frøy, Frö] and the Wind God to the left.

Sigurd Agrell writes that Frej is called "Veralden Olmai" by the Sami and “Veraldar Guð” in the Heimskringla Saga, it means “the World God”. According to Friis (1871) the Sami describes Frej as "Veralde Olmai" that means "Man of heaven".

The Sami people have used runes on calendars and on the Shaman drums until recent history. Johannis Peringskiöld (1710) described the Sami as idol worshippers. They'd beat the shaman drums with Thors hammers made of horn. The hammers were formed as crosses. The drums had different symbols and crosses. Additionally the Sami used a book were the magic were called “Ægis Hielmar” (Lindkjølen, 1995). I have so far not found more information about the book or Ægis Hielmar, however my guess is that the book contained runic formulas related to the shaman drum-séance. According to J. A. Friis (1871) the form of a drum hammer he observed were formed like the Latin T, was nicely decorated and in the handle there was a hole for a string. Sigurd Agrell (1934) have discussed and shown how each sacred symbol is described by a particular Runic letter and how Runes sometimes are integrated into the symbols of the drums (page 107 – 169).

No.10002
http://www.youtube.com/watch?v=Xj1WObGtdpc

http://www.legionofpagans.com/celtic--more/4724/celtic-druidism-beliefs-practices--celebrations

The Celts did not form a single religious or political unity. They were organized into tribes spread across what is now several countries. As a result, of the 374 Celtic deities which have been found, over 300 occur only once in the archaeological record; they are believed to be local deities. There is some evidence that their main pantheon of Gods and Goddesses might have totaled about 3 dozen - perhaps precisely 33 (a frequently occurring magical number in Celtic literature). Some of the more famous are: Arawn, Brigid, Cernunnos, Cerridwen, Danu, Herne, Lugh, Morgan, Rhiannon and Taranis. Many Celtic deities were worshipped in triune (triple aspect) form. Triple Goddesses were often sisters.

Divination: Druids used many techniques to foretell the future: meditation, study of the flight of birds, interpreting dreams, and interpreting the pattern of sticks thrown to the ground. Ancient symbols: The Celtic Tree of Life, as interpreted here by Welsh artist Jen Delyth, shows a concept if the cosmos in which the universe is in the form of a tree whose roots and branches join. The flag of the Isle of Man, as interpreted here by Stuart Notholt, contains a triskele. It is an ancient Druidic symbol consisting of three curved branches, bent legs or arms radiating from the center of the symbol. 3 The Sun wheel or Wheel of Taranis honors the Celtic sun god. It is in the form of a wheel with six spokes. Modern symbols: These include: Wreath and staves consisting of a wreath with two vertical staves. Awen symbol: This is a symbol drawn in the form of three pillars, in which the outer two are sloped towards the center pillar, as in the center of the above symbol. Sometimes, one or three dots are added above the pillars. The symbol has been in use since the 17th century; it recalls the Druidic fascination with the number three. "Awen" means inspiration in Middle Welsh. The left ray represents female energy; the right: male energy; the middle: the harmonious balance of male and female

No.10005>>10018
File: 1400164205019.jpg (40.84 KB, 354x430, Fionn_mac_Cumhaill.jpg)
http://www.youtube.com/watch?v=aLaa47O8s-w

http://en.wikipedia.org/wiki/Fionn_mac_Cumhaill
http://www.druidry.org/library/members-articles/shamanism-celtic-world

Celtic tales abound with examples of heroes who travel into one or more Otherworlds in quest of magical prizes, knowledge or power, with which to bring healing to the land, skill to craftsman, warrior or hunter. King Arthur's famous journey to Annwn, the Underworld of the British Celts, in quest of a mysterious Cauldron of Inspiration and Rebirth, recorded by the Thirteenth century Welsh poet Thomas Ap Einion (7), is a late example of the type of Celtic Otherworld journey known in old Irish as immramma. Immramma usually refers to a voyage by sea, that is, into that portion of the triadic Celtic cosmos (land, sea and sky) equated with the watery element. True to form, King Arthur journeys into Annwn aboard his magical ship Prydwen. The bard Taliesin, in many respects the classic shaman figure within Welsh tradition, accompanies Arthur on this perilous Otherworldly voyage. Like the Irish poet and outlaw Finn, who frequently pays a price of personal humiliation or wounding in obtaining Otherworldly gifts, Arthur does not emerge unscathed from this adventure. For though Arthur sets forth with three companies of men, "except for seven, none return". This idea of reciprocity between the worlds, that a price must be paid for Otherworldly knowledge and gifts, runs though world shamanic tradition. Shamans typically undergo exceptional ordeals in their quest for healing power, magical knowledge, etc. The very nature of the shaman's suffering and trials place him outside of ordinary society, where the thought of undertaking such dangerous questing is anathema to the conventional man or woman. This contributes to the shaman's liminality, the state of in betweeness that is one of the keynotes of Otherworldly and sacred power in Celtic tradition. The essential liminality of the Irish hero Finn and the Fiana, his war-band of fennidi or "outlaws", has been explored by Nagy (8) and others.

Outlaw, poet, craftsman and seer, Finn MacCumhal is the quintessential shamanic figure in the old Gaelic sagas, though by no means the only one demonstrating shamanic abilities.Early in life Finn undergoes the training to become a fennid, being raised in exile in the wilderness by two mysterious foster mothers, one known as a druid, who train him in the arts of hunting and fighting. According to Joseph Nagy, "In early Irish literature, the fennid usually appears as a figure living and functioning outside or on the margins of the tribal territory and community (the tuath)."(9). The fennidi together form a group called a fian, or war band. Their leader is the rifennid, usually one known for his exceptional prowess. These fennidi functioned as mercenaries and upholders of the law in ancient Ireland, even though they themselves were often seen as outlaws.

Finn becomes adept in the arts of fennidecht, the hunting and martial arts of the fennidi, and in time becomes rifennid of his own fian. An element that distinguishes Finn from other fennidi though is his status as a fili, or poet/seer. The role of fili is very highly regarded in the Irish tribal hierarchy, quite in contrast to Finn's other role as outlaw mercenary. This dual role fully establishes Finn's liminality, his quality of being both within and outside of any particular world, social stratum, role, etc. This liminality, and Finn's winning of liminal knowledge and power from Otherworldly sources, is illustrated in the many tales of his journeys into various Otherworld realms.

Like numerous other characters in traditional Celtic stories Finn passes quite easily between the worlds. Indeed, one often has the impression that Finn and his companions do not always know when they have left the ordinary, mortal world and passed into one of the Otherworldly realms. Nowhere is this more pronounced than in the collection of stories about Finn and his fian, taken from Gaelic oral tradition, known as the bruidhean tales. According to leading Finn scholar Joseph Nagy, "The word bruidhean means "hostel," and in both Fenian and non-Fenian narrative the dwellings described as bruidhne are explicitly or implicitly otherworldly".(9

No.10018>>10092
>>10005
Irishfag here.

Celtic neopaganism is kill. Hijacked by american SJWs, I'm afraid

No.10086
File: 1400239833190.jpg (57.84 KB, 445x412, otwatm.jpg)
OP here, i really want to delve deeper into the ancient aryan heritage of other norse european people (such as the scots or northern germanic faroese islanders for example), but for now i'm just going to post these links which i stumbled upon whilst lurking and which are extremely relevant to this thread;

http://heathenharvest.org/2012/05/17/sorcery-and-religion-in-ancient-scandinavia-by-varg-vikernes-3/

http://heathenharvest.org/2013/06/13/second-renaissance-an-interview-with-varg-vikernes/

No.10092
>>10018

every religion and mystery school that has any attention at all has been distorted and hijacked by now. That doesn't necessarily mean that the Old Ways are lost, just that you won't find them by joining a mainstream group



No.10480
File: 1400653766004.jpg (121.99 KB, 729x1097, 1400607741613.jpg)
I listened to a random danish song today and was flabbergasted at how amazingly similiar it sounded to english, german and dutch all at the same time, while retaining its distinct lingual sound nonetheless. At first i thought they were singing in some kind of welsh dialect, i had to check the band name on wikipedia to find out what language i listened to. Truly old norse must've been the language of the ancient atlanteans.

No.10481
Danish (dansk pronounced [danˀsɡ] ( listen); dansk sprog, [ˈdanˀsɡ ˈsbʁɔʊˀ]) is a North Germanic language spoken by around six million people, principally in Denmark and in the region of Southern Schleswig in northern Germany, where it holds minority language status.[3] There are also significant Danish-speaking communities in the United States, Canada, Brazil and Argentina. Due to immigration and language shift in urban areas, around 15-20% of the population of Greenland speaks Danish as their home language.

Danish is largely mutually intelligible with Norwegian and Swedish. Proficient speakers of any of the three languages can understand the others, though studies have shown that speakers of Norwegian generally understand both Danish and Swedish far better than Swedes or Danes understand each other. Both Swedes and Danes also understand Norwegian better than they understand each other's languages.[4]

Along with the other North Germanic languages, Danish is a descendant of Old Norse, the common language of the Germanic peoples living in Scandinavia during the Viking Era. Danish, together with Swedish, derives from the East Norse dialect group, while the Old Norwegian dialects before the influence of Danish and Norwegian Bokmål is classified as a West Norse language together with Faroese and Icelandic. A more recent classification based on mutual intelligibility separates modern spoken Danish, Norwegian and Swedish into a Mainland Scandinavian group while Icelandic and Faroese are placed in a separate category labelled Insular Scandinavian.

Danish has a relatively large vowel inventory consisting of 16 phonemes and is distinguished by the many pharyngealized sounds, including both vowels and consonants. Written Danish and Norwegian Bokmål are particularly close, though the phonology (that is, the system of relationships among the speech sounds that constitute the fundamental components of the language) and the prosody (the patterns of stress and intonation) differ somewhat.

Danish is a mandatory subject in school in the Danish dependencies of the Faroe Islands (where it is also an official language after Faroese) and Greenland (where, however, the only official language since 2009 is Kalaallisut and the Danish is now spoken as lingua franca), as well as the former crown holding of Iceland.

No.10482
File: 1400654171239.jpg (57.35 KB, 200x257, ansuz runestone.jpg)
http://en.wikipedia.org/wiki/Danish_and_Norwegian_alphabet

http://en.wikipedia.org/wiki/%C3%86

Note how some old norse runes as used by frisians and saxons (among many others) got carried over into the middle age latin alphabet, as happened with the Ansuz rune here… Fascinating stuff indeed. This particular rune was called "Os" by some germanic tribes too and it had the exact same shape and function within the main germanic rune alphabet as it did within the northern germanic one.

>Æ (minuscule: æ) is a grapheme formed from the letters a and e. Originally a ligature representing a Latin diphthong, it has been promoted to the full status of a letter in the alphabets of some languages, including Danish, Norwegian, Icelandic and Faroese. As a letter of the Old English Latin alphabet, it was called æsc ("ash tree") after the Anglo-Saxon futhorc rune ᚫ (Runic letter ansuz.svg), which it transliterated; its traditional name in English is still ash /æʃ/.

No.10483>>10484
File: 1400654433724.jpg (50.53 KB, 483x720, 1396058878189.jpg)
Good nite /fringe/, i shall enter the astral now to merge with the sacred spirits of the ancestors there and get a refreshing break from this degenerate crumbling ZOG dystopia.

http://www.youtube.com/watch?v=x_SzHrH78DI

No.10484
>>10483
Same here.

/astral

No.10524
File: 1400693010098.gif (261.38 KB, 300x306, 1369377676552.gif)
Here's an applause for you OP, 10/10 thread.

No.10546>>10552>>10631
lol Asatru

>hurrrr so manly I'm a VIKING!

>lol the Aesirian Code of Nine, I need an instruction manual telling me how to be a man because I'm a tree-humping faggot

No.10552>>10554>>10631
File: 1400707247091.jpg (16.93 KB, 240x223, 1398583775047.jpg)
>>10546
0/10

Get out.

No.10554>>10557>>10559>>10570>>10631
>>10552
Dude, no. This shit is infantile. You think you're celebrating your heritage by escaping the shackles of religious dogma and jumping headlong into another one? This shit is red pill, not green pill. You're just being contrarian and rebellious without a cause.

No.10557>>10572>>10631
>>10554
What the fuck are you even talking about?

Go back to reddit/your christian board and stay there.

I hate how there's always faggots like you taking joy in disrupting great threads with genuine effort put into them.

No.10559>>10631
File: 1400711645417.jpg (1.28 MB, 860x1218, 1396949997492.jpg)
>>10554
>Dogma
>Actual Norse tradition
Nigger, you don't know what you're talking about. Dogma applies to organized religion, with a firm set of beliefs, like Canon.
There was no Norse word for religion before christianity.

The tradition was authentic in itself, for it wasn't shoved down people's throats, nor imposed as an ultimate truth, just like most "pagan" cults of old.

No.10570>>10631
>>10554
Religion is greenpill though as it deals with matters of spirituality.

No.10572>>10574>>10611>>10612>>10631
>>10557
>C-Christfag :(
Why don't you blog about it on Witchvox, you neopagan faggot? Religion is the spiritual equivalent of junk food. Saying paganism is better than Christianity is like saying Burger King is healthier than McDonald's.

No.10574>>10576>>10631
>>10572
What do you think of Hinduism?

No.10576>>10577>>10631
>>10574
Hinduism is a great well of mystic wisdom that most of our western traditions can be traced back to. And most impressively, it has continued to evolve and adapt to modern lifestyles while still staying true to its roots. There's a reason it's got such staying power. It's the oldest extant religion. Even Judaism is heavily influenced by it.

No.10577>>10630>>10631
>>10576
Are you the guy I replied to?

No.10611>>10630>>10631
>>10572
>N-Neopagan Faggot :(

Why don't you blog about it on Fedorazine, you atheist faggot? Atheism is the spiritual equivalent of junk food. Saying would-be critical thinking is better than liberal pseudo-science is like saying Burger King is healthier than McDonald's.

No.10612>>10631
>>10572
Dude shut the fuck up, this is not the place for petty fedorafags. Either help us or gtfo and stop instigating arguments, both of you take that shit to /drama/. This isn't even debating anymore.

No.10630>>10631
>>10577
No, but I see where he's coming from. Hinduism is the oldest living religion and has influenced thoughts all over the world. Asatru is an insular little hippy cult.

>>10611
>I know you are but what am I!
Real mature.


No.10632>>12238
>>10631
As in; deleted

No.10655
>>10631
They are rather amusing though.

No.10657>>10664
>argumentative
>calls people faggots and hippies
>thinks he's green pill
No anonymous. You are the red pills.

Galdr and Seidr are legit magical traditions. The mysteries of the runes and the World Tree are as green as any other pill on this site.

No.10664
>>10657
>butthurt faggot pacifist
>gets his panties in a twist if anyone argues with him because he's that easily upset
>chokes to death on dicks every night while wishing the NWO would remove all signs of dissident or independent thought so we can be the BORG now.

No.12129
OP here, another subject i've taken some interest in is the aspect of norse totemism and spirit animals, which is arguably related to the shaman component. When the european solutreans migrated to northern america over the Bering Strait and mixed there, this aspect of norse culture strongly prevailed within the native americans.

Have some info on this;

TOTEM ANIMALS:

The ancient Germanic tribes lived in harmony with nature, and as their spiritual beliefs are based very much on the natural world, both wild and domestic beasts are highly revered. It was sensed that certain animals have special unique energies and elements of their nature and being that brought them into association with that of the various Gods and Goddesses whom they came to represent. These totem animals are often seen in dreams and visions as symbolic bearers of wisdom and might.

Fylgja - Spirit Animals

In Norse mythology, a fylgja (Old Norse, literally "someone that accompanies,"[1] plural fylgjur) is a supernatural being or creature which accompanies a person in connection to their fate or fortune. Fylgjur usually appear in the form of an animal and commonly appear during sleep, but the sagas relate that they could appear while a person is awake as well, and that seeing one's fylgja is an omen of one's impending death. However, when fylgjur appear in the form of women, they are then supposedly guardian spirits for people or clans (ættir).

No.12130
File: 1402564605667.jpg (39.21 KB, 277x390, toe8l.jpg)
The power and functions of the godi, or temple-priest, whose name has been mentioned in the chapter on Religion, were probably the same in Norway as in Sweden or Denmark before the time of Harald Fairhair of Norway, Gorm of Denmark, and Eirik of Sweden. In the earliest times of the godis, whose office was called Godord (Godiship), were the leaders at sacrifices and spiritual rulers of the people, and their descendants united both the spiritual and temporal power.

The original number of holders of the godiship in Iceland was thirty-nine, but in the year 1004 twelve new members were added.

The position of the godi among the thingmen was of a special nature, and was grounded on birth or privilege, such as purchase; the only thing above him was the law, which was in the keeping of all the godis of the country. He had to see that the law was carried out among the Thingmen, and had to help his own Thingmen when they had a case against a Thingman of another district.

The temple-priest as such had certain revenues; he had, besides,a share of the pay given to the Thingmen by the bœndr who did not go to the Thing; parts of certain fines and forfeited property, and fees for certain legal formalities which could only be performed by him. He was named by the district or by the family, and the bœndr under a certain godi were called the Thingmen of the godi.

The Godord was looked upon as property; it was inherited, and could be given away, sold, or forfeited. If the godi forfeited the godiship, then the men of the Thridjung-district to which the godiship belonged had to elect another; and also, when the heir was not of age, they could elect a provisional godi. The heir to a godiship would become godi, if the boendr allowed him, at the age of twelve. If the heir was a woman, she could give the godiship to whichever man of the district she preferred.

When a man became a godi he killed a ram and dipped his hands in its blood.

If the godi broke the law he was prosecuted like another man, consequently there was a check upon his powers, and he had to take great care that law and justice were properly executed.

If the godi for one reason or another could not rule over his district, he could give it to whomsoever he liked within the district; though the office could be owned by more than one, it could only be represented by one man.

If there were several owners, and the power had only been given to one of them, it went by turns one year at a time.

The godis seem to have worn long beards, which apparently was the custom among rulers, for Edward is represented on the Bayeux tapestry with a beard.

When the heir to the godiship was a minor, the fittest Thingman took the office till he came of age.

Every Thing-district had a fixed Thing called Herad-thing, which was presided over by the three godis of the Thing-district.

The godi in whose district the Thing-place lay declared the Thing holy; if the Thingman could not come himself, he could send a freeman of his house in his place.

A Thingman could declare himself the Thingman of another godi. Every godi had to have a booth on the plain, large enough to hold all his Thingmen; but the great bœndr often had with them their own booths, and their friends, women, children, and servants, & etc. The godi who declared the Althing holy was called Allsherjar Godi (the godi of the whole host).

We see that in Iceland at first the Kjalnesinga Godi had the high office at the Althing, but later the godi in whose district the Althing lay.

The Althing began on Thursday when ten weeks (fifty days) of summer had passed, and lasted fourteen days.

To the Althing all the godis had to come, and to arrive on Thursday night, before the sun had left the plain; if not, they forfeited their godiship. If a godi had met with lawful hindrances, the godi of the same Thing-district decided who should take his place. He had the right to call upon every ninth man of his Thingmen to follow him to the Spring-thing.

All the bœndr who had come to the Althing on Thursday night were considered right Thingmen, but the bœndr who remained at home had to pay a fine. If they came before the first Sunday of the Thing they were right Thingmen, but received no pay. The Thingmen were not allowed to leave the precincts of the Thing before the assembly was dissolved.

Sometimes meetings took place called Vapnathing, where all the bœndr had to appear, and produce for inspection the arms which every man was legally obliged to have.

The place where the judges sat was holy, and ropes, vebond marked out the boundaries of the enclosure.

No.12131
Magic and Divination in norse society

"Jacob Grimm begins his chapter on Magic by drawing a distinction between divine Wundern and devilish Zaubern, not altogether justly so, inasmuch as Teutonic paganism did not observe the distinction. He is happier when he defines the various notions entering into the conception as including "doing, sacrificing, spying, soothsaying, singing, sign-making (secret writing), bewildering, dazing, cooking, healing, and casting lots." For the same notions we commonly use the expressions practicing magic, witchcraft, divination, soothsaying, and conjuring (Frisian tjoene, Danish trylle).

We shall here attempt to arrange what is known to us of magic and divination among the Teutonic peoples. Both folklore and Norse literature furnish a wealth of material, although much of what is found in the former is of more recent origin (…)"

http://www.woden.org/magic.html

No.12133
File: 1402565279913.jpg (42.24 KB, 330x502, Singer-330-exp.jpg)
Related skaldic poetry in musical form:

http://www.youtube.com/watch?v=AvSuf0IRzhs

In Norse mythology, a dís ("lady", plural dísir) is a ghost, spirit or deity associated with fate who can be both benevolent and antagonistic towards mortal people. Dísir may act as protective spirits of Norse clans. Their original function was possibly that of fertility goddesses who were the object of both private and official worship called dísablót,[1] and their veneration may derive from the worship of the spirits of the dead.[2] The dísir, like the valkyries, norns, and vættir, are almost always referred to collectively.[1][3] The North Germanic dísir and West Germanic Idisi are believed by some scholars to be related due to linguistic and mythological similarities,[4] but the direct evidence of Anglo-Saxon and Continental German mythology is limited. The dísir play roles in Norse texts that resemble those of fylgjur, valkyries, and norns, so that some have suggested dísir is a broad term including the other beings.[2]

No.12135>>12147
File: 1402565540871.jpg (221.61 KB, 500x680, ragnar.jpg)
The dying Viking hero Ragnar Lodbrok exclaimed in Krákumál shortly before his death: "the dísir invite me home (to Valhalla)".

>Besides the Dís spirits, there are also the guardian spirits called Vörðr:


In Norse mythology, a vǫrðr (pl. varðir or verðr — "warden," "watcher" or "caretaker") is a warden spirit, believed to follow from birth to death the soul (hugr) of every person. In Old Swedish, the corresponding word is varþer; in modern Swedish vård, and the belief in them remained strong in Scandinavian folklore up until the last centuries. The English word '"wraith" is derived from vǫrðr, while "ward" and "warden" are cognates.

At times, the warden could reveal itself as a small light or as the shape (hamr) of the person. The perception of another person's warden could cause a physical sensation such as an itching hand or nose, as a foreboding or an apparition. The warden could arrive before the actual person, which someone endowed with fine senses might perceive. The warden of a dead person could also become a revenant, haunting particular spots or individuals. In this case, the revenant warden was always distinct from more conscious undeads, such as the draugar.

A very old tree (often a linden, ash or elm) growing on the farm lot could be dubbed a "warden tree" (Swedish vårdträd), and was believed to defend it from bad luck. Breaking a leaf or twig from the warden tree was considered a serious offence. The respect for the tree was so great that the family housing it could adopt a surname related to it, such as Linnæus, Lindelius and Almén. It was often believed that the wights (Swedish vättar) of the yard lived under the roots of the warden tree, and to them, one sacrificed treats to be freed from disease or bad luck.

No.12136>>12139
Hey OP I asked for a new name from the astral, a proper one to create a new magical identity under that shall be the perfected me, and the name I received was "Sven". Do you have anything to tell me about that name? I looked it up and was pleased to find out it is a Nordic name although I didn't know that.

No.12138
File: 1402566116100.jpg (1.71 MB, 1780x1036, Idise_by_Emil_Doepler.jpg)
>More skaldic norse music: http://www.youtube.com/watch?v=fzjg4tXwobk

http://en.wikipedia.org/wiki/D%C3%ADs#Old_Norse_sources

The generic dísir appears instead of the more specific labels norns, fylgjas and valkyries in a couple of Eddic and skaldic poems, and in various kennings.

"The fallen by the sword
Ygg shall now have;
thy life is now run out:
Wroth with thee are the dísir:
Odin thou now shalt see:
draw near to me if thou canst."

- Grímnismál, the Poetic Edda

>Also related;


In Norse mythology, hamingja (Old Norse "luck"[1]) refers to two concepts:

- the personification of the good fortune or luck of an individual or family,
- the altered appearance of shape-shifters.

Both Andy Orchard and Rudolf Simek note parallels between the concept of the hamingja and the fylgja.

http://en.wikipedia.org/wiki/Hamingja

No.12139>>12143
>>12136
Sven is indeed a very norse name with deep connections to our ancestral norse european history and onomatology. Its approximate meaning is "the young free warrior" or "the young male fellow".

>Old Norse sveinn = 'boy, lad, young man, free servant'


http://www.nordicnames.de/wiki/SVEIN

No.12143
>>12139
Perfect. That's what I was aiming to be. The astral is infinitely wise and relayed me back a good name. A new man, courageous in the fact of death and combat - fighting for his race with magic and might.

No.12147
File: 1402574794492.jpg (42.43 KB, 282x341, 1402479430317.jpg)
>>12135
How about Oak tress? weren't they sacred as well? If I'm not mistaken Donar/Thor identifies with them.

No.12148>>12149
Check out this amazing folk band from Norway:

http://www.youtube.com/watch?v=fzjg4tXwobk

Continuing with the nordic spiritual perception of the human soul and its properties now;

"Everywhere in Norse literature we meet with the notion of a man's second ego, his double (doppelgänger), his fylgja (follower). This fylgja is nothing less than man's soul, which dwells in the body, and leaves it at death, but which even during one's lifetime already leads an independent existence, so that in one instance a person is even said to have stumbled over his own fylgja. Similarly, Helgi's fylgjur (plural) are seen before his death. The fylgja stands on the border line dividing souls from spirits. The fylgja is the soul which leaves man in his sleep, which after his death passes over to his son, so that the personal fylgja (mannsfylgja) becomes a family fylgja (attarfylgia). It may also be feminine in form (fylgjjukona), a sort of goddess (dis) who premonishes man in dreams, appears to him more especially shortly before his death, at time vexes, and then again protects him. Such fylgjur ar referred to in Atlamál, 27:

In Norse literature, and in Teutonic popular belief as well, we frequently meet with the tradition that souls in the guise of small flames frequent the neighborhood of the place where the corpse lies buried. They likewise roam about to expiate a crime. Cross-roads are thought to be haunted by souls, and the church accordingly inveighed against worshipping at bivia and trivia; but this latter belief is perhaps of Roman origin. In Norse sagas it is not an uncommon occurrence that the body of a person who was believed to haunt the earth was dug up and burnt (…)"

No.12149>>12150
>>12148

A permanent abode of souls is mentioned in several sources. This abode of the souls is at times conceived as lying beyond the sea; souls or corpses must therefore be conveyed across this or be left at the mercy of winds and waves. In a noteworthy passage in Procopius, Britain is called the land of the dead. On the opposite coast, in Frankish territory, dwell the mariners who, without catching sight of their passengers, carry the dead across the channel. At midnight they are notified in a mysterious manner, and setting out with their heavily laden boats succeed in reaching the island of Britain in a single hour. Upon their arrival the souls are called out by name, and the ferrymen thereupon return with their empty boats. Claudian (fifth century) likewise tells us that at the extreme limits of Gaul, i.e. opposite the British coast, "there is a spot, where Gaul stretches out its furthermost shore opposite the waters of the ocean, where they say the Ulixes with a libation of blood stirred up the silent folk. There the mournful plaint of shades fitting about with a gentle whir is heard. The natives see the pallid forms and the figures of the dead depart." According to other sources, the land of souls is situated in the mountains, and it is there that the historical and mythical heroes have their abode: Barbarossa in the Kyffhauser, Holger Danske under the rock of Kronburg (Denmark), Siegfried in Geroldseck, and the three founders of the Swiss federation at Grütli in a cleft in the rock near the Lake of Lucerne. Souls of unknown men issue forth from the mountains as well: "armed hosts of horsemen," "souls of fallen soldiers," including even women and others besides warriors. Icelandic sagas too repeatedly refer to the belief that the dead dwell in mountains. We have here a special form of that translation, which Rohde, Psyche, was the first to treat at length, but to which even Jacob Grimm devoted a separate chapter containing a large number of examples.

No.12150
>>12149
>More skaldic musical poetry: "Sigurðarkviða in skamma" - http://www.youtube.com/watch?v=55asO74HzKU

"Aside from the animistic basis, the conception of fylgjur includes, therefore, the notions of second sight, of dream spirit, and of guardian or attendant spirit.

Similar notions are associated with the Swedish vård and the Old Norse hamingja. The latter word is explained by Mogk as referring to the form (hamr) which the soul assumes when becoming visible, which is frequently that of animals. Thus Atli's hamr appears as eagle. E.H. Meyer, following out a suggestion of Grimm, connects hamingja with the caput galeatum, the caul about the head with which certain "lucky children" are born. This membrane, the seat of the soul or of the guardian spirit, is in such cases carefully preserved.

Related to fylgja is the mare, nightmare (French cauchemar), or incubus. The derivation of the word is uncertain. The mare torments men at night in their sleep, at time even killing them, as happened to the Swedish king Vanland, according to Ynglingasaga, Chapter 16.

But departed spirits do not merely visit men in their sleep with the physical feeling of suffocation; they also appear to them in their dreams. Thus the dead that cannot gain rest in the grave appear to men for various purposes: to avenge themselves; to make amends for some neglect; or to warn men and foretell the future. Such manifestations are closely related to apparition of ghosts, for which latter the Old Norse draugr (Old High German gitroc) was in use. Notwithstanding the tormenting character that these dreams frequently assumed, it was still accounted a defect if a person lacked the susceptibility for them, and was draumstoli (dream-stolen). As the dead exert influence on the living, so also conversely: excessive grief of the living disturbs the rest of the dead."

No.12151
http://www.youtube.com/watch?v=rQOKCH1W4c4

When wandering about and appearing in visible form , the soul may assume various shapes, more specially those of animals. Norse literature and folklore furnish an abundance of examples. A number of times the soul is represented as having the form of a mouse, as in the well-known story of the sleeping girl from whose mouth a red mouse was seen creeping forth. A companion turned the sleeping girl around, and when the mouse returned it could no longer find its way back, wandered about aimlessly for a while, and then disappeared. But the girl did not again awake: she was mausetot ("mouse-dead," i.e. stone dead). The mice that pursued the cruel bishop Hatto of Mainz into his tower near Bingen on the Rhine were likewise the souls of the poor people, whom he had burn alive, because he could not furnish them with food. Similarly, the rats in the tale of the Pied Piper of Hameln are the souls of the little children. Once upon a time, when king Gunthram was resting in the forest from the chase, his soul crept out of his mouth in the shape of a snake. Over the sword of one of the king's companions it passed a little brook and entered a mountain, afterwards returning again to the mouth of the king by the way it had come. The king in the meantime had dreamt that he crossed a bridge over a river, and arrived in a mountain full of gold. The treasure, we are told was afterwards actually lifted. Paulus Diaconus considered this account so remarkable that he inserted it in his History of the Lombards, notwithstanding the fact that it concerns a Frankish king. In one of the battles in which Hrolf Kraki was engaged, his most valiant hero, Bjarki, was nowhere to be seen, but in his stead a stout bear fought at the side of the king, and with his claws slew more enemies than five warriors could have done: it was Bjarki's fylgja, which fought while his body was asleep.

No.12152
"There is scarcely any limit to the examples that might be added to the above. The fylgja may assume the form of a great variety of animals: of wolf and bear, bird, snake, and other animals that are seen in dreams; likewise of all kinds of birds,—ravens, crows, doves, and swans. Bees, beetles, and flies are also frequently souls. While in the case of animals it is not always an easy matter to draw an exact line of demarcation between animistic and various other conceptions, it can in any case not be gainsaid that the belief in migration of the soul into the bodies of animals has given rise to an extensive and varied "soul fauna." At times a connection may be traced between the character of an individual and the animal whose shape he takes on, men that are shrewd appearing as foxes, those that are cruel as wolves.

Less frequent, though not altogether rare, is the mention of trees as the abode of souls. The conceptions that cluster around the worship of trees are of a somewhat complex nature. The tree may itself be conceived of a possessing a soul; it bleeds when struck, and the violation of trees is in such cases a real crime. Parallel with this we meet the notion that the souls of the dead are imprisoned in trees. Trees are also frequently held to be the residence of the life spirit of an individual (trees of life), or of the guardian spirit of house and home (the Swedish vårdträd or botra). Tree worship represents, therefore, both a bit of nature-worship and a belief in human fate, associated symbolically with a definite species of the vegetable world. Side by side with this there exists the animistic conception of the relationship of the human soul with the soul of plants, and of the migration of the human soul into plants."

No.12153
http://www.youtube.com/watch?v=GnTHz_tRaBY

"The belief in werewolves is not peculiar to the Teutons, but is found among many other peoples. Characteristically Scandinavian, however, is the closely related belief in Berserkers. They are people that possess the power of assuming other shapes. They are eigi einhamir, i.e. not of one shape; or hamramr, hamhleitha (feminine), i.e. changing form. Either by donning a wolf's skin or a belt made out of wolf's skin, or by reason of a natural tendency through which this metamorphosis comes upon them at certain stated times, such men run about in the shape of wolves, the eye alone retaining its human appearance. The werewolf (i.e. man-wolf) is known to us both from Norse literature and from medieval and modern popular belief. Thus the beginning of the Egils Saga tells us that the progenitor of the Myramen was toward evening subject to sudden attacks which made him wholly unlike himself, for which reason he bore the name Kveldulfr (evening-wolf).

Norse literature abounds in stories of Berserkers. We have already mentioned how Bjarki, one of Hrolf Kraki's warriors, fought at his side in the form of a bear. Ordinarily, however, these "bear-skin clad" retain their human shape, although their actions when the Berserkrgangr comes upon them are no longer human in character. An uncontrollable frenzy seizes them; their mouths begin to foam; they bark like dogs and growl like bears; they walk through fire, are invulnerable to iron, gnaw their shields, devour glowing coals, and carry all before them. When the attack has passed by, Berserkers are no stronger than ordinary men. The Norwegian kings were fond of having a few Berserkers among their followers and at time presented them to one another. They are also frequently mentioned in Icelandic sagas, where they decide the issue of many a struggle. It not rarely happens that this peculiarity is characteristic of a family: thus the seven sons of Syvaldus, the twelve sons of Arngrim, Angantyr and his brothers, were all sturdy Berserkers. Outside the North traces of Berserkers are to be found only among the Lombards."

No.12154
"The belief in souls gave rise to numerous customs in connection with the dead, which the church sought zealously to eradicate. Several of these continue in vogue until the present day. We here mention a few whose animistic basis is at once apparent: the closing of mouth and eyes of the corpse, either to prevent the soul from returning through these openings, or to ward off the evil eye; the carrying out of the body under the threshold, or through and unusual opening, to keep the soul from finding its way back again; the burning of a light near the corpse, to keep evil spirits or the soul itself at a distance; the covering of the mirror, that the soul may not see its image and thus be held fast to the spot; the burying in a remote place, to banish the soul to a distance; the opening of doors and windows, to facilitate the egress of the soul; the watching over the corpse; the announcing of the death of the master of the house to all manner of objects in house and yard and to the bees in the hive; the calling out of the name of the deceased, which causes souls and mares that roam about to disappear; the giving along, or the placing on the grave, of food, at times also of shoes and staff; the careful tending of the house-snake, which is the residence of the soul of the deceased and as such a beneficent tutelar genius of the home, a sort of lar. All these customs lie near the border line separating popular observance from religious worship. While soul-cult belongs rather to the former,and is not part of a more or less official and organized worship, it has none the less struck deep roots in the life of the people. Its purpose is on the one hand to keep the soul that is feared at a distance, on the other to provide for its wants, but these two phases, the dark and light sides, frequently coalesce. It is not clear which of these two classes the dadsisas belong, against which the Indiculus Superstitionum inveighs as constituting "idolatry over the dead." These were songs sung for the dead at night ("devilish songs") and either served to ward off the soul, or were invocations through which oracular utterances concerning the future were obtained from the dead. Or else they were mere lamentations over the dead, to which no magical significance was attached, similar to those that were raised over Attila. The fact that the dadsisas were repeated on the grave would, however, seem to argue against this latter supposition.

Funeral banquets are also met with; the church sought to prevent drinking bouts at the grave. In the North the funeral feast is frequently call erfil (heir-beer), inasmuch as it was given not only in memory of the deceased, but also formed the solemn occasion on which the heir entered upon his inheritance. This latter frequently took place a considerable length of time after the demise of the head of the house; at any rate not before the exaction of the blood-vengeance, in case the deceased had been murdered. At times a large number of guests assembled on these occasions: we know of "heir-beers" to which more than a thousand persons sat down. The church sought to give these feasts a Christian dress, and, in order to make them a source of income, sent priests to be present at them and consecrated beakers to Christ and St Michael. Now and then the soul of the deceased himself is supposed to take part in the feast. Of a man who had been drowned we are told that he appeared at his own "heir-beer", which was held to be a favorable sign as regards his fate with Ran in the depths of the sea.

No.12155
"Totemism is a kinship relationship between a human or group of humans and a particular species of animal or plant. The totem animal or plant is generally held to be an ancestor, guardian, and/or benefactor of the human or humans in question. One way or another, the totem animal or plant is effectively a part of the human self.

In the pre-Christian worldview and practices of the Norse and other Germanic peoples, we find totemism manifested in two especially prominent and powerful areas: the animal helping spirits, most notably the fylgjur, and the patron animals of shamanic norse societies.

Remember the cats, ravens, and other familiar spirits who are often the companions of witches in European folktales? These are fylgjur (pronounced “FILG-yur”) in the plural and fylgja (pronounced “FILG-ya”; Old Norse for “follower”) in the singular. The fylgja is generally an animal spirit, although, every now and then, a human helping spirit is also called a fylgja in Old Norse literature. The well-being of the fylgja is intimately tied to that of its owner – for example, if the fylgja dies, its owner dies, too. Its character and form are closely connected to the character of its owner; a person of noble birth might have a bear fylgja, a savage and violent person, a wolf, or a gluttonous person, a pig. This helping spirit can be seen as the totem of a single person rather than of a group.

Many of the gods and goddesses have personal totem animals which may or may not be fylgjur. For example, Odin is particularly associated with wolves, ravens, and horses,Thor with goats, and Freya and Freyr with wild boars. It should come as no surprise, then, that their human devotees have personal totems of their own."

Totemism can be seen as a precursor to the modern idea of Darwinian evolution, and evolution, in turn, can be seen as a scientific restatement of some of totemism’s most fundamental assumptions."

Every species is unique in some way, but humans aren’t uniquely unique amongst other species. There’s nothing that fundamentally separates us from the other animals or from the fleshly world we inhabit alongside them. To be human means to be animal, whatever else it means.

http://weeklynorsemyths.wordpress.com/tag/totemism/

No.12157
>Norse folk music video full of incredible ancestral pro-white folkish pictures; http://www.youtube.com/watch?v=40JgQiI_Q8I

"The Norse mythology shows that our ancestors had a deeply-rooted belief in the immortality of the soul. They believed in a state of retribution beyond the grave. The dissolution of the body was typified by Balder's death, and like the latter it was a result of Loke's malignity, just as the devil brought death upon Adam and Eve, and through them upon all mankind.

The future state was regarded as a continuation of our earthly existence. This is proved by the custom so prevalent among the Norsemen of supplying the dead with the best part of their property and the first necessities of life. A coin was put under the dead man's tongue, that he might be able to defray his first expenses with it on his way to his final abode. Of course the dead went either to Odin or to Hel, but the relation between Valhal and Helheim presented difficulties which the Norsemen strove in various ways to solve. It was said that they who are slain in battle go to Odin in Valhal, while those who die of sickness or old age go to Hel in Helheim. But according to this it would be the kind of death alone which decided the soul's future state; only those who fell by weapons would ascend to the glad abodes of heaven, while all who die of sickness would have to wander away to the dark world of the abyss, and there were people in whose eyes nothing except warlike deeds was praiseworthy. But the Odinic mythology, taken as a whole, presents a different view, although it must be admitted, as has before repeatedly been stated, that bravery was a cardinal virtue among our Norse ancestors.

We remember, from a previous chapter in this book, that the spirit or soul of man was a gift of Odin, while the body, blood and external beauty were a gift of Loder, who afterwards separated from the trinity of Odin, Hœner and Loder and became the mischievous Loke. Thus the soul belonged to the spirit-world, or Heaven, and the body to the material world, to the Deep. The two, soul and body, were joined together in this earthly life, but at its close they were separated, and each returned to it original source. The soul, with its more refined bodily form in which it was thought to be enveloped, went to the home of the gods, while the body, with the grosser material life, which was conceived to be inseparable from it, went to the abodes of Hel to become the prey of Loke's daughter. Thus man's being was divided between Odin and Hel. Odin, whose chief characteristic was god of war, seems to have claimed his share chiefly from those who fell in battle; and this probably may suggest to us some reason why Balder went to Hel. Balder is not a fighting god, he only shines, conferring numberless blessings on mankind, and death finally steals upon him. Odin seems not to have much need of his like. Thus death by arms came to be considered a happy lot, by the zealous followers of the asa-faith, for it was a proof of Odin's favor smiling upon them. He who fell by arms was called by Odin to himself, before Hel laid claim to her share of his being; he was Odin's chosen son, who with longing was awaited in Valhal, that he, in the ranks of the einherjes, might assist and sustain the gods in their last battle, in Ragnarok."

No.12158
File: 1402584983143.jpg (34.81 KB, 296x504, freya.jpg)
>http://www.youtube.com/watch?v=w-v233vA-J4

The old Norsemen had many beautiful ideas in connection with death. Thus in the lay of Atle it is said of him who dies that he goes to the other light. That the dead in the mounds were in a state of consciousness is illustrated by the following passages from Fridthiof`s Saga:

"Now, children, lay us in two lofty graves
Down by the sea-shore, near the deep-blue waves:
Their sounds shall to our souls be music sweet,
Singing our dirge as on the strand they beat.
When round the hills the pale moonlight is thrown
And midnight dews fall on the Bauta-stone,
We'll sit, O Thorsten, in our rounded graves
And speak together o'er the gentle waves."

>Sigmund asks Odin:


"Why snatch him then, father
From fortune and glory?
Why not leave him rather
To fill up his story
On victory's road?"

>Odin the Allfather then responds to him:


"Because no man knows
When gray wolf so gory
His grisly maw shows
In Asgard's abode;
Therefore Odin calls
And Erik fain falls
To follow his liege lord
And fight for his god."

No.12159>>12160>>12163
>THE RELIGION OF OUR FOREFATHERS (1922),
>CONTAINING ALL THE MYTHS OF THE EDDAS, SYSTEMATIZED AND INTEEPEETED.
>AN INTRODUCTION, VOCABULARY AND INDEX.

http://www.forgottenbooks.org/readbook_text/Norse_Mythology_1000002764/1

No.12160>>12161
>>12159
Thank you so much.

No.12161>>12162
File: 1402591463508.jpg (126.61 KB, 406x464, 1325438734001.jpg)
>>12160
*Tips viking helm*

No.12162
>>12161
>tfw no Freya (ever)

No.12163
File: 1402599815950.jpg (190.86 KB, 500x750, 23.jpg)
>>12159
http://www.forgottenbooks.org/readbook_text/Norse_Mythology_1000002764/35

^ That feel, mang.

Thank you based Iceland for having saved true white culture and european faith from the all-consuming barbarism of the christian dark ages.

"It is well known, says he, that the Icelandic language, which has been preserved almost incorrupt in that remarkable island, has remained for many centuries the depository of literary treasures, the common property of all the Scandinavian and Teutonic races, which would otherwise have perished, as they have perished in Norway, Denmark, Sweden, G-ermany and England. There was a time when all these countries had a common mythology, when the royal race in each of them traced its descent in varying genealogies up to Odin and the gods of Asgard. Of that mythology, luliicli may hold its own against any other that the world has seen, all memory, as a systematic whole, has vanished from the mediaeval literature of Teutonic Europe. With the introduction of Christianity, the ancient gods had been deposed and their places assigned to devils and witches. and there a tradition, a popular tale or a superstition bore testimon,y to what had been lost; and, though in this century the skill and wisdom of the Grimms and their school have shown the world what power of restoration and reconstruction abides in intelligent scholarship and laborious research, even the genius of the great master of that school of criticism would have lost nine-tenths of its poiver had not faithful Iceland preserved through the dark ages the two Eddas, which present to us, in features that cannot he mistaken, and in tvords which cannot die, the very form and fashion of that wojuh'ous edifice of mythohgy which our forefathers in the da-wn of time imagined to tliem selves as the temple at once of their gods and of the ivorship due to them from all mankind on tJiis middle earth. For man, according to their system of belief, could have no existence but for those gods and stalwart divinities, who, from their abode in Asgard, were ever watchful to protect him and crush the common foes of both, the earthly race of giants, or, in other words, -the chaolic natural powers. Any one, therefore, that desires to see what manner of men his forefathers were in their relation to the gods, how they conceived their theogony, how they imagined and constructed their cosmogony, must betake himself to the Eddas, as illustrated by the Sagas, and he will there find ample details on all these points; while the Anglo-Saxon and Teutonic literatures only throw out vague hints and allusions. As we read Beowulf and the Traveler's Song, for instance, we meet at every step references to mythological stories and mythical events, which would be utterly unintelligible were it not for the full light thrown ujion them by the Icelandic literature."

No.12168
http://runesecrets.com/

The study of the runes and their meaning is a study of personal development, spiritual growth and the spread of consciousness throughout human societies and into the universe. The Elder Futhark Runes are a complete system of magic, and the oldest form of western wisdom. I hope to show you that they are also a complete system of psychology that can lead the seeker into understanding and enlightenment.

No.12170
File: 1402614192522.jpg (10.04 KB, 400x224, norse shaman girl.jpg)
I hope i'm not the only one here hoping for a full-blown nordic revival of these ancient european values and cultural goods some time in the future. Maybe the general interest of mainstream pop culture in this topic within recent years is some kind of subconcious herald in this regard, i hope that's the case.

If we wish to survive and maintain our ethno-cultural identity during the 21st century and beyond, it is of utmost importance to reject any alien influence on our people, also and especially within the spiritual realm. If we utilize modern technology and developments for this, then that's even better.

Of course you can't really rebuild an aryo-atlantean norse civilization with the vast majority of contemporary whites though, as painful as this realization may be at first.

Anyways, have a last uplifting odinist song before i venture into the astral once more in order to search for even moar meaning and inspiration to face the ZOG with there;

http://www.youtube.com/watch?v=1ouaym0D9hw

No.12238
>>10632
>>10631
>suppressing free speech
>destroying dissenting ideas to give the illusion of unanimous consensus

Gee, now what does THAT remind me of?

No.12288>>12509
Want me to copypaste my own notes on shamanism as I myself practise it? I am an European Shaman. I could also write everything new but fuck am I ever busy every day ain't got no time for that.

No.12509>>12512
File: 1403069233295.png (121.36 KB, 574x456, 1.png)
>>12288
Feel free to do so.

No.12512
>>12509
I am feeling exceptionally lazy: http://archive.4plebs.org/x/search/username/Indigopill/

There it is though.

No.12833>>12986
An in depth program talking about the Northern European magical practice called "Seidhr" (pronounced Sayth) which involves astral projection, shapeshifting, traveling the 9 worlds of the universal "tree". It was one of the most feared forms of occult practice in the North lands, and the practice most suppressed by the church after the conversion in Europe to Christianity. Seidhr is also known as the Magic of Freyja, and was a practiced mastered also by Odin at Freyja's instruction.

No.12911>>12986
Nine Noble Virtues

(Written by Lewis Stead from the Raven Kindred's ritual book)

The Odinic Rite lists the 9 Noble Virtues as Courage, Truth, Honor, Fidelity, Discipline, Hospitality, Industriousness, Self-Reliance, and Perseverance.

It would be hard to get much argument on any of these values from anyone. They simply and briefly encapsulate the broad wisdom of our Gods and ancestors.

Courage

In virtually every statement of values applied to Asatru, Courage is listed first. As Stephen McNallen has said, courage and bravery are perhaps the values which the Vikings are best known for. However, despite our history, few of us face such turmoil as a literal battle for ones life. In fact, I believe it might be easier to manifest courage in such a situation than to do so in the many smaller day to day occurrences in which courage is called for.

The most common of these occurrences for modern Pagans, is the courage to acknowledge and live ones beliefs. It is also, sadly, the one that we most often fail at. While we may often be full of the type of courage that would lead us to face a shield wall, many of us quake at the thought of the topic of religion coming up at the office or a friend asking what church we attend. We won't offer easy answers, but we ask this: if you toast the courage of your ancestors to fight and die for what they believed in, can you trade away your religious identity for a higher salary or social acceptance?

In an essay on values there is also the question of moral courage. The way of Tyr is difficultto lose ones hand for ones beliefsbut, Tyr thought the price worth paying. In a million ways modern society challenges our values, not just as Asatruar who are estranged from mainstream religious practice, but for religious people in an increasingly not just secular, but anti-religious culture. Values are also not in favor in modern society. Breaking or getting around the rules is encouraged to get ahead. Living honorably is simply too inconvenient. I think most people, Asatru or otherwise, find this repugnant, but the only way to change it is to have the courage to refuse to take part in it.

Truth

The second virtue, that of Truth, is the one that most led our kindred to embrace the Odinic Rite's statement of values as our own. Early in our discussions, we decided that no matter what values we chose to hold out as our own, truth must be among them. It is a word that holds so much in its definition, and includes such a wide variety of moral and philosophical beliefs that we were all drawn to it as a simple statement of what we stood for.

At least one of the reasons we wanted to adopt it was the simple issue of honesty. As Bill Dwinnels said at a recent sumbel while toasting truth and honesty: if you don't want people to know about something, don't do it. Truth, in the sense of honesty, is essential to personal honor and also to any system or morality that is not based on rigid legalism. If one is to uphold an honor code, one must be brutally honest with oneself and with others.

Truth is also the Truth that comes with a capital Tthe kind of Truth that one talks about in terms of religion or morality. It's common to talk of different peoples having different "truths," but it's equally important to remember that while we acknowledge that each person or people has their own belief as to what Truth is or where to find it, there finally is a single Truth. This is not the Truth as we believe it, but ultimate Truth. While we may respect other people's truths and seek our own, we must never forget our search for The Truth. Like the Holy Grail of Christian legend, it may never be ours to reach, but when we cease to search we perish.

Honor

Honor is the basis for the entire Asatru moral rationale. If anything comes out in the Eddas and Sagas it is that without honor we are nothing. We remember two types of peoples from ancient times: those whose honor was so clean that they shine as examples to us and those who were so without honor that their names are cursed a thousand years after they lived. Good Asatruar should always strive to be among the former.

However, honor is not mere reputation. Honor is an internal force whose outward manifestation is reputation. Internal honor is the sacred moral compass that each Asatruar and God should hold dear. It is the inner dwelling at peace which comes from living in accordance with ones beliefs and with ones knowledge of the Truth of what one is doing. It is something deeply personal and heartfelt, almost akin to an emotion. It's a knowing that what one is doing is right and decent and correct.

In many ways while the most important of all the virtues it is also the most ephemeral in terms of description. It is all the other virtues rolled together and then still more. The best way I have found to describe honor is that if you are truly living with honor, you will have no regrets about what you have done with your life.

Fidelity

Fidelity is a word that is far too often defined by it's narrow use in terms of marital fidelity. By the dictionary it simply means being faithful to someone or something. In marriage this means being true to ones vows and partner, and this has been narrowly defined as limiting ones sexual experience to ones spouse. While I have found this to be great practical advice, many treat fidelity as if there were no other ways in which one could be faithful or unfaithful.

For we Asatruar fidelity is most important in terms of our faith and troth to the Gods. We must remain true to the Aesir and Vanir and to our kinsmen. Like marriage, Profession (the rite in which one enters the Asatru faith, similar to Christian confirmation or Wiccan initiation) is a sacred bond between two parties; in this case an Asatruar and the Gods. In order for such a relationship to work, both must be honest and faithful to each other.

Asatru, although currently being reborn, is at its roots a folk religion and we also uphold the value of fidelity to the ways of our ancestors. This is why historical research is so important to the Asatru-folk: it is the rediscovering of our ancient ways and our readoption of them.

Discipline

In any discussion of the values of Asatru, discipline is best described as self-discipline. It is the exercise of personal will that upholds honor and the other virtues and translates impulse into action. If one is to be able to reject moral legalism for a system of internal honor, one must be willing to exercise the self-discipline necessary to make it work. Going back to my earlier criticism of society, if one rejects legalism, one must be willing to control ones own actions. Without self-discipline, we have the mess we currently see in our culture.

Looking at discipline in terms of fidelity, we see a close connection. Many Pagans go from faith to faith, system to system, path to path. Asatruar are much less likely to do this. The discipline of keeping faith with our Gods and the ways of our ancestors is part of our modern practice. In this way, we limit ourselves in some ways, but we gain much more in others.

Hospitality

Hospitality is simply one of the strongest core values at the heart of virtually every ancient human civilization. In a community/folk religion such as our own, it is the virtue that upholds our social fabric. In ancient times it was essential that when a traveler went into the world he could find some sort of shelter and welcome for the night. In modern times it is just as essential that a traveler find friendship and safety.

In our modern Asatru community, we need to treat each other with respect and act together for the good of our community as a whole. This functions most solidly on the level of the kindred or hearth where nonfamilial members become extremely close and look out for each other. It can mean hospitality in the old sense of taking in people, which we've done, but in modern times it's more likely to mean loaning someone a car or a bit of money when they need it (that's need, not want).

Part of hospitality is treating other people with respect and dignity. Many of our Gods are known to wander the world and stop in at people's houses, testing their hospitality and generosity. The virtue of hospitality means seeing people as if they were all individuals with self-respect and importance. Or perhaps from time to time, they are literally the Gods in human form. This has profound implications for social action in our religion. Our response to societal problems such as poverty (that's poverty folks, not laziness) is in many ways our modern reaction to this ancient virtue.

In terms of our modern community as a whole, I see hospitality in terms of frontier "barn raisings" where a whole community would come together and pool their resources. This doesn't mean we have to forget differences, but we must put them aside for those who are of our Folk, and work for our common good.

Industriousness

Modern Asatruar must be industrious in their actions. We need to work hard if we are going to achieve our goals. There is so much for us to do. We've set ourselves the task of restoring Asatru to it's former place as a mainstream faith and by doing so reinvigorating our society and culture. We can't do this by sitting on our virtues, we need to make them an active part of our behavior. Industry also refers to simple hard work in our daily vocations, done with care and pride.

Here's a few concrete examples. If you are reading this and don't have a kindred, why not? Stop reading now. Go and place ads in the appropriate local stores, get your name on the Ring of Troth, Wyrd Network, or Asatru Alliance networking lists, and with other Pagan groups. Put on a workshop. Ok, now you're back to reading and you don't agree with what I'm saying here? Well, be industrious! Write your own articles and arguments. Write a letter to the editor and suggest this material be bannedbetter that than passivity. Get the blood moving and go out and do it. That's how it gets done. The Gods do not favor the lazy.

The same holds true for our non-religious lives. As Asatruar we should offer a good example as industrious people who add to whatever we're involved in rather than take from it. We should be the ones the business we work in can't do without and the ones who always seem to be able to get things done. When people think of Asatru, they should think of people who are competent and who offer something to the world.

This doesn't just apply to vocational work, but to the entire way we live our lives. It is just as much a mentality. The Vikings were vital people. They lived each day to its fullest and didn't wring their hands in doubt or hesitation. We should put the same attitude forward in all that we do whether it is our usual vocation, devotion to the Gods, or leisure time.

Self Reliance

Industry brings us directly to the virtue of Self-Reliance, which is important both in practical and traditional terms. Going back to the general notion of this article, we are dealing with a form of morality that is largely self-imposed and thus requires self-reliance. We rely on ourselves to administer our own morality.

Traditionally, our folkways have always honored the ability of a man or woman to make their own way in the world and not to lean on others for their physical needs. This is one of the ways in which several virtues reinforce and support each other. Hospitality cannot function if people are not responsible enough to exercise discipline and take care of themselves. It's for those that strive and fail or need assistance that hospitality is intended, not for the idle who simply won't take care of themselves.

In terms of our relationships with the Gods, self-reliance is also very important. If we wish the Gods to offer us their blessings and gifts, we must make ourselves worthy of themand the Gods are most pleased with someone who stands on their own two feet. This is one of the reasons for the Asatru rule that we do not kneel to the Gods during our ceremonies. By standing we acknowledge our relationship as striving and fulfilled people looking for comradeship and a relationship, rather than acting as scraelings looking for a handout from on high. It takes very little for a God to attract a follower, if worship simply means getting on the gravy train. We, as Asatruar, are people who can make our own way in the world, but who choose to seek a relationship with the Gods.

In mundane terms being self-reliant is a simple way to allow ourselves the ability to live as we wish to. In simple economic terms, if one has enough money in the bank one doesn't need to worry as much about being fired due to religious discrimination. We can look a bigot in the face and tell him just where he can put it. It's also nice to have something in the bank to lay down as a retainer on a good lawyer so we can take appropriate action.

On the other side of this is self-reliance in the sense of Henry David Thoreau, who advocated a simple lifestyle that freed one from the temptations of materialism. Again, here we are able to live as we wish with those things that are truly important. Religious people from all faiths have found that adjusting ones material desires to match one's ability to meet them leaves one open for a closer relationship with deity and a more fulfilling life. While our ancestors were great collectors of gold goodies, they didn't lust for possessions in and of themselves, but for what they stood for and could do for them. In fact, the greatest thing that could be said of a Lord was that he was a good Ring Giver.

Being self-reliant also means taking responsibility for ones life. It's not just about refusing a welfare check or not lobbying for a tax exemption, but also refusing to blame ones failures on religious intolerance, the patriarchy, or an unfair system. The system may, in fact, be unfair, but it's our own responsibility to deal with it.

In societal terms, we have become much too dependent on other people for our own good. As individuals we look to the government or to others to solve our problems and as a society we borrow billions from our descendants to pay for today's excesses. Most problems in this world could be solved if people just paid their own way as they went.

Perseverance

The final virtue is Perseverance which I think most appropriate because it is the one that we most need to keep in mind in our living of the other values. Our religion teaches us that the world is an imperfect place, and nothing comes easy. We need to continue to seek after that which we desire. In this imperfect world there are no free lunches or easy accomplishmentsespecially in the subjects we have set before ourselves. If we truly wish to build an Asatru community that people will hold up as an example of what committed people can do, then we must persevere through the hardships that building our religion is going to entail. We must be willing to continue on when we are pushed back. If one loses a job for ones religion, the answer is not to go back and hide, but to continue until one finds a vocation where one can more forward and live as an Asatruar should.

Finally we must persevere when we simply fail. If one's kindred falls apart because of internal strife, one should go back and start over. Pick up the pieces and continue on. If nobody had done this after the disintegration of the Asatru Free Assembly, this would probably never have been written. We must be willing to continue in the hard work of making our religion strongnot just when it is convenient and easy to do so, but when it gets hard, inconvenient, or just plain boring. To accomplish without striving is to do little, but to persevere and finally accomplish a hard fought goal brings great honor.

http://www.sacred-texts.com/bos/bos072.htm

No.12918>>12986
Has anyone tried meditating upon a rune while using it's galdr mantra? http://www.sunnyway.com/runes/galdr.html

No.12986
>>12911
Hell yeah. Live and die by the sacred noble virtues of the ancestors.

>>12918
I don't think i'm ready to medidate upon the sacred runes just yet. I'd need to find a proper method of doing this first, and i'd have to study the entire Futhark alphabet in-depth beforehand.

What's your favourite runic meditation method, given that you have one in the first place?

>>12833
Here's an interesting convo from dat video about rune magic/runic norse sorcery which i think deserves proper mentioning ITT:

>nightslayer784 days ago

>What would you say about the groups of Asatruers (seems large from my experience) that believe that rune divination isn't real? They see no absolute proof of our ancestors using the runes in a "magical" way.

>Daniel Updike4 days ago

Seidhr is a different style of practice than runic practice. Divination was usually sought from those who practiced a particular kind of Seidhr which involved communication with the spirits–usually these were the Volven,(plural) or a Volva (singular). This was by no means the scope of Seidhr, as it involved alot more than that as you will have heard on the episode. Runes, on the other hand are never recorded in the lore as having ever been used in divination. We read Tacitus stating that he saw "blood twigs" cast on a white sheet for the divination of the tribe, but we are not given any more info than that. What we DO read in the lore is that after Odin's "winning" of the Runes, the mighty spell songs, and their use not even in writing, but in sorcery. Writing in letters was the gift of the Christians to Europe, not a system our people used prior to that other than in ideographic symbolism. Both Seidhr and Runes are a type of sorcery, just different systems that could include each other, or exclude each other at the will of the practitioner. Divination is not "fortune telling", but a communication between the inner mind and the outer mind of the person–and omens, toothpicks even, can be used for that. OR the communication with the alfar given in the oracular part of Seidhr. Runes are the magic of the Aesir, while Seidhr is the magic of the Vanir, and both Freyja and Odin are in the mythologies, masters of both.

No.12987
File: 1403653023683.jpg (21.51 KB, 308x390, Utlaginn01.jpg)
http://en.wikipedia.org/wiki/Outlaw:_The_Saga_of_Gisli

Everyone ITT needs to watch this movie, it's an amazing piece of art and pretty much *the* most accurate depiction of northern germanic pagans, their myths, their beliefs, their way of life, their culture, their language and so on you will find anywhere.

There may be even better depictions hidden somewhere out there, but i just discovered this genre of icelandic viking/saga-based movies a few days ago and just so happened to stumble upon this masterpiece right off the bat.

No.12995>>13025
File: 1403663796069.gif (111.45 KB, 485x726, 38SSQ.gif)
I feel like trolling you guys by using English letters in the same manner you use runes and making it work but I do have to equate myself more with what you're doing with these runes first to reproduce the process with English letters.

No.13025
>>12995
N-no trolling pls

also, this isn't a flood

seriously

No.13644
Gentle bump with magic-related poem from the Eddas;

Odin's raven-magic

Galdr (plural galdrar) is one Old Norse word for "spell, incantation", and which was usually performed in combination with certain rites.[1] It was mastered by both women and men.[2] Some scholars have assumed they chanted it in falsetto (gala).[2][3]

The völvas were pagan priestesses that specialized in chanting galdrs.

>Hrafnagaldr Óðins ("Odin's raven-galdr") or Forspjallsljóð ("prelude poem") is an Icelandic poem in the style of the Poetic Edda.


In 1852, William and Mary Howitt characterized it as "amongst the most deeply poetical and singular hymns of the Edda".[1]

http://en.wikipedia.org/wiki/Hrafnagaldr_%C3%93%C3%B0ins

An artistic interpretation of said poem lasting for almost 50 minutes:

http://www.youtube.com/watch?v=kH1rZtXt0AQ

>"Odin's Raven Magic" is a 2002 orchestral setting to the Icelandic poem Hrafnagaldr Óðins. The composition was a collaboration by Sigur Rós, Hilmar Örn Hilmarsson, Steindór Andersen, Páll Guðmundsson and Maria Huld Markan Sigfúsdóttir. It was premiered at the Reykjavík Arts Festival on 24 May 2002 - This is chapter 3.


http://www.youtube.com/watch?v=TRQ2WwiMndY

^ This one starts to become really amazing from 3:30 onwards.

No.13645
http://www.youtube.com/watch?v=eijbKJwoLu4

http://www.youtube.com/watch?v=wkpOBxHVTto

The Old Norse word galdr is derived from a word for singing incantations, gala (Old High German and Old English: galan) with an Indo-European -tro suffix. In Old High German the -stro suffix produced galster instead.[4]

The Old English forms were gealdor, galdor, ȝaldre "spell, enchantment, witchcraft", and the verb galan meant "sing, chant". It is contained in nightingale (from næcti-galæ), related to giellan, the verb ancestral to Modern English yell; cf. also the Icelandic verb að gala "to sing, call out, yell". In Dutch language gillen.

The German forms were Old High German galstar and MHG galster "song, enchantment" (Konrad von Ammenhausen Schachzabelbuch 167b), surviving in (obsolete or dialectal) Modern German Galsterei (witchcraft) and Galsterweib (witch).

It is also mentioned in several of the poems in the Poetic Edda, and for instance in Hávamál, where Odin claims to know 18 galdrs.[1] For instance, Odin mastered galdrs against fire, sword edges, arrows, fetters and storms, and he could conjure up the dead and speak to them.

No.13646
http://en.wikipedia.org/wiki/V%C3%B6lva

A vǫlva or völva (Old Norse and Icelandic respectively (the same word, except that the second letter evolved from ǫ to ö); plural vǫlvur (O.N.), völvur (Icel.), sometimes anglicized vala; also spákona or spækona) is a shamanic seeress in Norse paganism, and a recurring motif in Norse mythology.

Völur practiced seiðr, spá and galdr, practices which encompassed shamanism, sorcery, prophecy and other forms of indigenous magic. Seiðr in particular had connotations of ergi (unmanliness).

The völur were referred to by many names. The Old Norse word vǫlva means "wand carrier" or "carrier of a magic staff",[1] and it continues Proto-Germanic *walwōn, which is derived from a word for "wand" (Old Norse vǫlr).[2] Vala, on the other hand, is a literary form based on Völva.[2]

A spákona or spækona (with an Old English cognate, spæwīfe[citation needed]) is a "seer, one who sees", from the Old Norse word spá or spæ referring to prophesying and which is cognate with the present English word "spy," continuing Proto-Germanic *spah- and the Proto-Indo-European root *(s)peḱ (to see, to observe) and consequently related to Latin specio ("(I) see") and Sanskrit spáçati and páçyati ("(s/he) sees", etc.).[3]

A practitioner of seiðr is a seiðkona (female) or a seiðmaðr (male).

Historical and mythological depictions of völur show that they were held in high esteem and believed to possess such powers that even the father of the gods, Odin himself, consulted a völva to learn what the future had in store for the gods. Such an account is preserved in the Völuspá which roughly translates to "Prophecy of the Völva". In addition to the unnamed seeress (possibly identical with Heiðr) in Völuspá, other examples of völur in Norse literature include Gróa in Svipdagsmál, Þórbjörgr in the Saga of Eric the Red and Huld in for instance Ynglinga saga.

No.13647>>13651
ASTRAL ASPECTS OF THE EDDAS (FULL DOCUMENTARY)

An introduction to the book "Star Myths of the Vikings" written by Bjorn Jonsson.

http://www.youtube.com/watch?v=CCTUCaso5W4

http://www.youtube.com/watch?v=OhGvk1H1AMM

http://www.youtube.com/watch?v=vC4YL_qVqXQ

No.13651>>13662
>>13647
Saved that pic. Btw how come you don't post with Odinist flag?

No.13654
Random assortment of norse pagan white songs from the days of yore

http://www.youtube.com/watch?v=u_z6xb-9aqY

http://www.youtube.com/watch?v=35-e08gbuZk

http://www.youtube.com/watch?v=NU-lik_mDRM

The music of pre-christian conversion England and Old Frisia (northern germany), eerily evocative in it's ability to speak to some long-lost yet never forgotten depth of the folk soul. Ancient and new compositions by various galdormen. The vocals are poems/songs in the Anglo-Saxon language accompanied by the Anglo-Saxon harp, penny whistle, drum and other instruments.

http://www.youtube.com/watch?v=b3hzR939uB8

http://www.youtube.com/watch?v=6xTqt_l2BtA

http://www.youtube.com/watch?v=xs-Bk43uRVM

No.13662
File: 1404400807230.png (253.91 KB, 636x626, hrafninn flygurr.png)
>>13651
I don't really feel like it

I'd post under the Algiz/life rune though seeing as it's among my favourite futhark symbols and properly honours all the norse white gods instead of just the main one/Alfather Odin

Maybe you could call that flag "Norse heathen" or something along those lines, in case you decide to implement it later on

No.13677>>13698
If I make an entire section of flags called Runes with all the runes in it, will stal add it?

No.13698>>13728
>>13677
I think Stal = STI and he's probably doing cocaine right now or something or maybe looking at his gook cartoons I don't know. Try to find him and talk to him and ask him. He seems to be always absent.

No.13728>>13843
>>13698
STALLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLL

No.13823>>13824>>13998
GOOD VIKING METAL BANDS

Svartsot
Tyr
Korpiklaani
Drudkh
Eluveitie
Endstille
Ensiferum
Falkenbach
Heavenly
Heidevolk
Manowar
Varg
Einherjer

Sorry for you English speaker, most of it is in german.

No.13824
>>13823
HOW COULD I FORGET, I forgot to mention Amon Amarth.

No.13825>>13852
WE ARE THE GUARDIANS OF ASGARD!

No.13843>>13844>>13846>>13862
File: 1404673055721.png (709.5 KB, 801x720, 1404421819715.png)
>>13728
what is it

No.13844>>13846
File: 1404675209771.jpg (7.1 KB, 176x287, party tiem.jpg)
>>13843
The chieftain has arrived!

Everyone pay your respects by raising your spears and glasses. Hail!

No.13846>>13847
File: 1404677445588.jpg (14.63 KB, 400x100, image.jpg)
>>13843
Add this to banner rotation

>>13844
Hail!

No.13847>>13848
>>13846
no one cares about that shitty banner stop spamming it everywhere

No.13848
>>13847
Nigger I fucking carved edgy into my skin, it deserves to be there for the edge lords.

No.13852
>>13825
That is one good tune

No.13862
>>13843
Stal fix up the quick reply box it still can't be moved and often glitches such that I have to go to the top before I can post my reply.

No.13957
File: 1404872178707.jpg (30.23 KB, 480x360, kerstin boldig.jpg)
The duo Kelpie consists of two renowned musicians from the Celtic-Scandinavian world-music scene. As well as concerts at major festivals and venues world-wide, they are in demand as composers, producers, arrangers and session musicians.
- Kerstin Blodig studied musicology and Scandinavian languages and cultures in Berlin (Germany) and in Bergen (Norway) with particular emphasis on Norwegian folk music. She is involved in a wide variety of different projects, ranging from studio work, folk-pop and theatre music productions to the Celtic groups Norland Wind, Talking Water and Touchwood with Belfast musician Cristina Crawley.
- Ian Melrose from Ayr in the Southwest of Scotland, belongs to the cream of Europe's acoustic guitarists. He is an internationally acclaimed composer and arranger, lead guitarist with Clannad (World Tour, Grammy Award winning CD "Landmarks"), and plays with Kerstin also in Norland Wind and Talking Water. A major aspect of his work is solo guitar: based on Celtic finger-picking style, his compositions blend Irish dances, Scottish ballads and classical formats with Brazilian samba and Argentine tango to create real world-music on the guitar.

https://www.youtube.com/watch?v=pUxyHLjcMXY

https://www.youtube.com/watch?v=IqTLFewvsRY

https://www.youtube.com/watch?v=TbyhlVhl-ec

No.13996>>13997
Hello everyone,

I have a question, is this something that any European / European-American can get into or is it a folk religion for Scandinavians only?

No.13997
>>13996
As long as your white.

No.13998
>>13823
>good
>metal
Oxymoron.

No.14013>>14014>>14018
I prayed to Freya for love and for life to be less depressing, and I shit you not I found my love and everything is better. I want my first blót to be dedicated to her. What are some things I could do to let her know I acknowledge her, like what symbols, what animals is she associated with, etc? Please help.

No.14014>>14015
>>14013
Also I hate no doubt in my mind about the existence of the Gods either. I asked them to give me endurance to get over my current problems and it was almost instantaneous, I lost my razor blades that I cut with. I was shocked and said "I love you Gods" and literally felt they acknowledged me or some shit. I can feel them in sort a way. I want to dedicate myself to the Gods now.

No.14015
>>14014
have no doubt*

No.14018>>14019
>>14013
Highly interesting. What were the particular prayers you utilized for this purpose? An exact transcript of all the stanzas would be awesome, but not required.

Your question is a bit tricky since i'm not perfectly acquainted yet with many of the reconstructionist rites the experts within the asatru rites have come up with over the years. But what i do know is that things like necklaces, amulets and so on are an important part of norse faith and component of honouring the gods.

Examples of this include Thor's hammer worn around the neck, or in the movie "Embla" you can actually see a germanic pair exchanging two parts belonging to the same Freya figurine, as a symbol of their blood bond, loyalty to each other and invocation of the woman's long-term fertility, granted by the grace of the gods themselves. It's highly probable and plausible that the ancient germanics would've utilized such cross-bonding apparel in a sacred manner as was implied in the aforementioned movie.

You "carry the gods with you" so to speak by harbouring such a necklace around your neck and protecting it.

According to the Eddas, Freya also wears necklaces herself, such as this irreplecable one here which has its own name;

http://en.wikipedia.org/wiki/Brísingamen

There are several norse kennings (alternative nicknames for the gods given to them by their children) for the godess Freya (so-called "Freya-Kenningars") which you can use whilst refering/praying to her, i'd have to look for a comprehensive list of those first though…

No.14019>>14024
>>14018
Thanks for the help. The prayer is located here: >>11963

No.14024>>14025
File: 1405050957566.jpg (20.33 KB, 233x240, goddess_freya13.jpg)
>>14019
My pleasure.

These might be of interest to you as well;

http://www.goddessfreya.info/reference/article2.htm

http://caminodeyara.indiemade.com/blog/candle-service-goddess-freya-today

Keep us updated about your spiritual relationship with the gods too, if you may. The more evidence we collect for their real-ness, the more christians we can convert back to the true white norse faith of the ancestors.

No.14025>>14027
>>14024
Well I've always had an interest in triangles and then I found Asatru which is odd… I have a set of triangle moles on my left arm. I want to get a Valknut tattoo of a Valknut. If that means anything or just a coincidence. So far the only gods I've experienced are Odin and Freyja. I hope to make a connection with all of them, I just need to get stuff for like blót and other things.

No.14027
>>14025
>Valknut tattoo of a Valknut

Fuck I need sleep.

No.14239>>14292
File: 1405680647208.jpg (300.99 KB, 1280x1705, 1401160115835.jpg)
http://heathenharvest.org/2012/10/25/heathen-harvest-samhainwork-i-album-now-online/

http://en.wikipedia.org/wiki/Samhain

"Ever since our inception, Heathen Harvest has concentrated fully and wholeheartedly on delivering thoughtful views and exposure to the post-industrial underground. But part of our responsibility also rests in passing the very best music to our readership. Now, for the first time ever, we are proud to deliver an album of entirely original creations, showcasing some of the finest artists that we work with.

Samhain is the end of the land cycle of birth and growth, the culmination of light and life. A time of open reflection as we look back to our past and give honour to our lineage, but also a period for dreaming of our futures and what we want to truly make of ourselves. It is a time of strongest, palpable spiritual concentration. We hope you enjoy taking the time to experience the eighty minutes of this record: a companion for this turn of the Wheel, and a carefully plotted aural expedition to take you through and beyond the open gates of the Dark Half."

No.14292
>>14239
This track right here is featured on the "Heathen Harvest - Samhainwork II" compilation. I listened to it tonite before falling asleep, it runs for almost 15 minutes and is highly shamanic in nature, which is why i'm sharing it here;

http://soundcloud.com/heathen-harvest/spirit-canoe-hailing-father-s

It basically mimicks ancient european spiritual sorcery and makes it audibly perceivable in an inredibly accurate fashion. Take a listen, but beware, for this song is massively greenpilled and works best if your pineal gland is properly adjusted and not affected by unnatural GMO food or other poisonous aspects of "modern society".

No.14707
File: 1406718880337.jpg (16.67 KB, 225x225, Yggdrasil.jpg)
Sigils of Ancient Norse European Magic

http://mistressofenchantment.blogspot.com/2011/04/sigils-of-norse-magic.html

"Sigils are also known as seals. They are specific geometric or visual designs usually enclosed in a circle and are used for various magical and spiritual purposes.

Commanding and Compelling makes much use of sigils: each spirit, weather an angel (higher being) or demon, is believed to possess a specific sigil. Allegedly if the sigil is created perfectly, the spirit must answer it's summons.

Traditions similar to sigils exist round the world. Although the designs are unique, purposes and concepts are closely related.

Sigils are also used for various magical purposes. Seals are incorporated into candle magic and are used to create protective talismans. Sigils can also be used to create personal defensive shields.

Pennsylvania Dutch hex signs are another form of sigil. Hex signs are often considered nothing more than Pennsylvania Dutch folk art, however they are actually magical signs and sigils. They are most commonly found painted onto building facades or gable ends of barns.

Designs have historically also been included on furniture, documents, tombstones, pottery and ceramics and written amulets. Hex sign literally means "Witch Sign." Hex signs are also known as "Hexafoos" or "Witch foot."

Their origins are mysterious. Jakob Grim and other scholars recognized the geometric patterns as deriving from pre-Christian spiritual and magical traditions. They were first used in Medieval Germany and Switzerland and may be based on the runes. Another school of thought, however, insists that Hex signs are nothing more than aesthetically pleasing adornments.

Hex signs consist of simple and colorful geometric designs that require relatively little artistry. If you can draw a straight line, you can draw a simple Hex sign, although perhaps not the elaborate ones.

Different Hex signs have different names, meanings and powers. For instance, to keep lightening or hail from striking or prevent animals from becoming bewitched. Explanations dating back to the 1920's, especially geared to tourists, suggest the Hex signs are decorations intended to ward off malevolent witchcraft or evil influences."

No.14708
File: 1406719182827.jpg (239.18 KB, 999x1000, Helm-Awe.jpg)
>Use the energy manifested by this sigil's frequencies for astral projection

http://www.youtube.com/watch?v=Y68ziI9Qgsw

Icelandic magical staves (sigils) are symbols credited with magical effect preserved in various grimoires dating from the 17th century and later.[1] According to the Museum of Icelandic Sorcery and Witchcraft, the effects credited to most of the staves were very relevant to the average Icelanders of the time, who were mostly subsistence farmers and had to deal with harsh climatic conditions.[1]

https://en.wikipedia.org/wiki/Icelandic_magical_staves

A list featuring various historical magical sigils from northern europe

https://en.wikipedia.org/wiki/Icelandic_magical_staves#Table_of_magical_staves

The wikipedia article below tries to imply that all sigils are hebrew in nature. This is factually highly false of course. Our norse european ancestors had their own kind of independent magical spiritual sigils.

https://en.wikipedia.org/wiki/Sigil_(magic)

No.14709
File: 1406719515236.jpg (11.79 KB, 120x120, elhaz-Aegishjalmur.jpg)
"The Aegishjalmur (ægishjálmr) is more commonly known as the helm of awe. The Helm of Awe is magical symbol of protection used by early Vikings. Worn between the eyes, it may have been intended to confer invincibility in the wearer or instil fear in one's enemies. Today, it is used as a charm of protection by Asatru believers.

There is some debate on whether the Aegishjalmur is a bindrune or not it has the characteristics of a bindrune but at the same time could just be a talisman or charm."

"The term ægishjálmr probably did not refer to a real, physical helmet originally, but rather originated in the use of a special kind of magic called seiðr. Seiðr could be used to affect the mind with forgetfulness, delusion, illusion, or fear. The ægishjálmr is a special subset of seiðr magic called sjónhverfing, the magical delusion or "deceiving of the sight" where the seið-witch affects the minds of others so that they cannot see things as they truly are. The role of seiðr in illusion magic is well-documented in the sagas, particularly being used to conceal a person from his pursuers. Part of this power may have been due to hypnosis, for the seið-witch could be deprived of her powers by being deprived of her sight, and the effect faded when the victim left the presence of the seið-practitioner.

By the Middle Ages in Iceland, after the close of the Viking Age and the introduction of Christianity, certain types of magic continued to be practiced by Icelandic master-magicians. The belief in the ægishjálmr continued, and it was believed that the symbol should be cut into lead and then thrust between one's eyebrows, then the user should recite "Ægishjalm eg ber milli bruna mjer," ("Ægishjalm I carry between my brows"). Victory in battle or conflict was supposedly assured thereafter.

It is interesting to note that the concept of the "helm of awe" came to be understood as a physical object, a helm worn upon the head. In this guise, the ægishjálmr supposedly could confer invisibility upon the wearer."

No.14710
File: 1406719700100.jpg (24.16 KB, 354x941, List of Sigils 02.jpg)
"The most famous appearance of the ægishjálmr is in Volsungasaga chapter 18:

Enn mælti Fáfnir: "Ek bar ægishjálm yfir öllu fólki, síðan ek lá á arfi míns bróður, ok svá fnyýta ek eitri alla vega frá mér í brott, at engi þorði at koma i nánd mér, ok engi vánm hræddumst ek, ok aldri fann ek svá margan mann fyrir mér, at ek þættumst eigi miklu sterkari, en allir váru hræddir við mik."

Sigurðr mælti: "Sá ægishjálmr, er þú sagðir frá, gefr fám sigr, því at hverr sá, er með mörgum kemr, má þat finna eitthvert sinn, at engi er einna hvatastr."

[And Fáfnir said, "An ægishjálmr I bore up before all folk, after that I brooded over the heritage of my brother, and on every side did I spout out poison, so that none dared come near me, and of no weapon was I afraid, nor ever had I so many men before me, as that I deemed myself not stronger than all; for all men were greatly afraid of me."

Sigurd said, "Few may have victory by means of that same ægishjálmr, for whoever comes among many shall one day find that no one man is by so far the mightiest of all."]

Some believe that Fáfnir wore the ægishjálmr symbol on his forehead, between his eyes.

Richard Wagner used the idea of the "helm of awe" as well. In his Ring Cycle the ægishjálmr appears as the Tarnhelm, and it can not only make the wearer invisible, it can also allow the wearer to shape-shift or even teleport.

What the ægishjálmr is not is a magical symbol for irresistability in the sense of being irresistable in love. The ægishjálmr might make one irresistable in battle, but not in the bedroom."

(^ Well too goshdarn bad about that one, lel.)

No.14711
A small sample of the magical staves and characters found in Icelandic grimoires.

https://web.archive.org/web/20100518094305/http://www.vestfirdir.is/galdrasyning/magical_staves.php

All of the signs and staves seen here can be found in Icelandic grimoires, some from the 17th century, some from later times though all of them seem to be related. The origin of this peculiar Icelandic magic is difficult to ascertain. Some signs seem to be derived from medieval mysticism and renaissance occultism, while others show some relation to runic culture and the old Germanic belief in Thor and Odinn. Much of the magic mentioned in court records can be found in grimoires kept in various manuscript collections. The purpose of the magic involved tells us something of the concerns of the lower classes that used them to lessen the burden of subsidence living in a harsh climate.

http://www.galdrasyning.is/index.php?option=com_content&task=category&sectionid=5&id=18&Itemid=60

No.14712
File: 1406720946329.jpg (5.98 KB, 259x194, sigil wood carving.jpg)
Galdrastafir (sg. galdrastafar) are Icelandic symbols (sigils) connected with various magical effects.

http://futharkoccult.blog.com/galdrastafir-en/

Further examples of sigils and Galdrastafir;

sunnyway com/runes/warrior.html

"According to tradition, the Aegishjalmur "helm of awe" should be worn over the forehead, perhaps scratched or drawn on the inside of one's helmet.

The Vegvisir "runic compass" will help prevent one from getting lost.

Odin's Illusionary Rune was used to make the bearer invisible or shape shift, such as the Viking berzerkers who took on the form, strength, and courage of bears in battle.

Hraethigaldur and Ottastafur "terror staves" would be carried over one's breast (…)"

No.14716
By the way, it is absolutely imperative that we don't just collect the ashes of this ancestral norse sorcery, no, it is our duty to kindle the very flame that goes along with it so that it may warm the innermost spiritual soul of our folk thoroughly in these dark and trying times.

>A font that includes most magical norse european staves that have been used in ancient Iceland and northern europe. Original drawings from the Icelandic Museum of Sorcery & Witchcraft web site at galdrasyning.is.


http://www.rpmfind.net/linux/rpm2html/search.php?query=icelandic-fonts

>More info on the aegishjalmur


http://www.occultblogger.com/ancient-occult-symbols-the-aegishjalmur/

>Further historical context on the ancient norse wizardly practices of our forefathers and how they were persecuted by christians for being greenpilled


http://web.archive.org/web/20100519124402/http://www.vestfirdir.is/galdrasyning/historical.php

"Sorcery and magic were not new to the Icelandic community in the seventeenth century. Sorcery was a part of the old Germanic religion and the oldest mentions in Icelandic of magic or sorcery are found in the Eddic poetry which were composed long before Christianity was accepted in 1000 AD. We do not know much about the magic that the heathen Icelanders practiced but it was connected with the cult of Óðinn and his vast wisdom and mastery of runes. Sorcery is also mentioned in the Icelandic Sagas but it must be kept in mind that these were written two centuries after the advent of Christianity. Two of the most famous sorcerers mentioned there are Egill Skalla-Grímsson, viking, poet, and farmer, and Svanur of Svanshóll in Strandir whose description is found in Njáls Saga.

It is unlikely that the practice of sorcery was completely stamped out in a matter of decades and the Catholic Church, which in Iceland was always quite independent of Rome, was fairly tolerant of the use of benevolent magic. However, in 1343 the annals tell us that a Norwegian bishop had a nun burnt for blasphemy and communicating with the devil, and in 1407 a man was burnt in the Nordic community in Greenland for using sorcery to seduce a married woman. Other mentions of proceedings against magicians have not been found prior to the Reformation in the middle of the 16th century."

No.14717>>14749>>14945>>15149
OP, do you know some good rune making processes? I'm about to make some and will deliver pics but I need info on how to make them. I have access to wood for making wooden pieces and I have tons of stones.

Thanks in advance, brother.

No.14718>>14723
File: 1406753403585.png (279.39 KB, 388x1375, asaJEW.png)
>implying Asatru is racially pure

No.14723>>14752
>>14718
Dude seriously fuck off.

No.14749

No.14752>>14754
>>14723
>that guy who wants to censor the truth because it makes him nervous
You're as bad as a Jew.

No.14754>>14757
>>14752
He told you to fuck off not to delete your post or to have you banned.

Your picture is really stupid and was already addressed and I saw the thread where the thing you were implying with your pic there got shitwrecked but you still post it again.

Not even either of the two Norse guys in this thread.

No.14757>>14820
>>14754
>we aren't censoring you, we just want you to stop talking

Ah, ah, AAAaaah, AAAAH-JEW

No.14820
>>14757
I love you! Holy shit marry me!

No.14945>>15149
>>14717
Still waiting.

No.15149>>15158>>15185
>>14945
>>14717
Sorry for the sizeable delay there brah, been quite busy during the last few days.

I'm assuming you're refering to rune *carving* techniques here, and general techniques on how to apply them properly.

I found a bunch of links in this regard which should be of much help in your endevaour:

http://www.instructables.com/id/How-to-carve-a-runestone/
http://www.sunnyway.com/runes/runeset.html
http://witchery.wordpress.com/2008/02/11/how-to-make-runes/
http://www.cutoutandkeep.net/projects/diy-rune-stones
http://www.instructables.com/id/How-to-Make-Rune-Stones/

On a related note, last week i also printed out some very basic information about runes and the Eddas, i have now categorized the complete elder futhark with its concrete meanings and a complete list of contents of the poetic and elder Eddas to go along with it. This table of contents includes short introductionary descriptions to all the chapters of the Eddas too.

I would've categorized and printed the various norse eddic Kenningars too but there's literally thousands of them within the Eddas so that's quite impossible to pull off right there.

I also printed out a complete list of pagan norse deities and gods (also those mentioned in the Eddas) and some other random motivational asatru poems which are highly life-supportive in nature.

The sacred knowledge of the ancestors must be honoured and secured under ALL circumstances. This is our sacred duty and responsibility.

Never forget this, brothers.

No.15158>>15165>>15166
File: 1407547309998.jpg (1.25 MB, 2592x1936, image.jpg)
>>15149
r8 my homemade rune set brah

I fugged up some runes tho.

blood + chalk + stones out in front lawn = perfect rune set

No.15165>>15167>>15184
>>15158
I like it, but did you properly apply the painting finish as described by the asatru reconstructionsts? If you didn't then those are almost entirely worthless, lifeless objects without the spirit of the ancestors and the vital life-force in them.

I think overall wood is the best material for runes to be applied on and invoke them with.

Also, here's a runic chant for the Uruz rune, i'm going to download some of these for future astral meditation before going to sleep;

http://www.youtube.com/watch?v=__Nk8O9Lv14

>A meditative video embodying the spirit of Uruz, the second Norse rune of the futhark runic alphabet. The song is a "galdr," or rune chant, sung and recorded by Volgrind. Uruz (or "Ur") is often manifested in symbolism through the aurochs (wild cattle) and the smithing of iron. This is the rune of primal, wild force, and represents the earthen power of nature.

No.15166>>15182
File: 1407549495719.jpg (132.21 KB, 648x484, What are these runes.jpg)
>>15158
wtf I drew some of those runes without knowing what they are.

Please tell me what these mean, as I have drawn them before in trance?

No.15167
>>15165
Maybe I will evoke some entity and have it tell me all about runes and then post the information I get from it on here and we can compare it to your knowledge of the runes. I don't know shit about runes really (at least not consciously).

No.15182>>15183>>15208
>>15166
(Provur = Smiley? Lel)

Lemme take a quick look at these from left to right… I'm going to post the descriptions from the sunnyway rune glossary to go along with it since they seem to be pretty fucking accurate from what i can deduct after having had a quick glance over it.

First one is "Thurisaz", the third rune of the elder futhark.

Reactive force, directed force of destruction and defense, conflict. Instinctual will, vital eroticism, regenerative catalyst. A tendency toward change. Catharsis, purging, cleansing fire. Male sexuality, fertilization

The second rune is called "Kaunaz", which is the sixth rune of the elder futhark. Stands for;

Vision, revelation, knowledge, creativity, inspiration, technical ability. Vital fire of life, harnessed power, fire of transformation and regeneration. Power to create your own reality, the power of light. Open to new strength, energy, and power now.

Last rune within the first row is "Nauthiz".

Resistance leading to strength, innovation, need-fire (self-reliance). Distress, confusion, conflict, and the power of will to overcome them. Endurance, survival, determination. A time to exercise patience. Recognition of one's fate. Major self-initiated change. Face your fears.

On to the second row;

"Jera"

A time of peace and happiness, fruitful season. It can break through stagnancy. Hopes and expectations of peace and prosperity. The promise of success earned. Life cycle, cyclical pattern of the universe. Everything changes, in its own time.

The next one looks like Eiwaz and the one next to it looks like either Eiwaz or like some kind of misplaced crossover between Eiwaz and the sun rune (sowilo).

Strength, reliability, dependability, trustworthiness. Enlightenment, endurance. Defense, protection. The driving force to acquire, providing motivation and a sense of purpose. Indicates that you have set your sights on a reasonable target and can achieve your goals. An honest man who can be relied upon. Eihwaz Reversed or Merkstave: Confusion, destruction, dissatisfaction, weakness.

Same goes for the first one in the last row, looks more like Eiwaz though.

Lastly there's Othala, i'm surprised you don't know that one yet, it's one of the most important ones within the entire elder futhark.

Inherited property or possessions, a house, a home. What is truly important to one. Group order, group prosperity. Land of birth, spiritual heritage, experience and fundamental values. Aid in spiritual and physical journeys. Source of safety, increase and abundance. Othala Reversed or Merkstave: Lack of customary order, totalitarianism, slavery, poverty, homelessness. Bad karma, prejudice, clannishness, provincialism. What a man is bound to.


What i'd also like to know is whether all of these really just appeared to you in your dreams. Is that what you're saying, yes?

If yes then the spirit forces may have gifted them to you for reasons unknown, possibly bound to your own fate. The meaning of these runes may or may not become evident at some point in your future life.

I'd pray to the gods just in case this was some kind of gifted insight from them.

No.15183>>15185
>>15182
Provur =/= Smiley

No.15184>>15185
>>15165
No I did not and I have a forest near me so I can easily get material for wooden runes

Links to proper making of runes?

No.15185>>15187
File: 1407586019895.jpg (42.6 KB, 517x509, 122121.jpg)
>>15183
>>15184
I already posted all dat shizz above dood;

>>15149

^

There ya go

No.15186
It's so goshdarn hard to find actual greenpilled quality tracks with genuine old norse lyrics sometimes.

I feel as if i'm severely lacking those in my collection so far, and that one guy with all the norse folk songs on his channel stopped updating it a few months back by the looks of it.

http://www.youtube.com/watch?v=Z5s-4g80RYc

This seems to be old gaelic or something along those lines, judging from the pic and video title it's about the norns and their waving of (white) human fate.

Very listenable overall i'd say…

http://www.youtube.com/watch?v=d7rWcBwqbH8

^

This one's fine too.

That's all i could find for now. If someone has any resources for these kinds of songs (YT channels, websites, whatever) please share them ITT. I'll likely take up joogle translate soon and try to delve a bit deeper for good quality material in that regard.

No.15187
File: 1407587257766.jpg (31.07 KB, 300x380, image.jpg)
>>15185
lol details.

Sorry i just woke up and have nothing to do besides read and practice muh wizardry so I'm not all here.

No.15208
>>15182
Sounds like a description of the effects which were intensely invoked within me when I drew them.

No.17731>>17762
May good threads be bumped!

No.17762
>>17731
This was unnecessary as fuck seeing as this board lies largely abandoned and the last post ITT was over 3 months old already



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